Modern Tragedy

absolute abstract active actual Anna Anna Karenina aspiration become beliefs bourgeois bourgeois tragedy breakdown Brecht Caligula Camus century character Chekhov common conflict connection consciousness continuing contradictions critical culture D.H. Lawrence death desire destroyed destructive disorder drama emphasis essential estragon evil fact false false consciousness fate generalised Greek guilt human Ibsen idea of tragedy ideology illusion important individual inevitably interpretation isolated Karenin kind Lady Chatterley’s Lover Lawrence liberal tragedy limited literary living Long Revolution man’s Marxist meaning mediaeval metaphysical Modern Tragedy moral movement myth nature novel ordinary particular pattern pity play political Raymond Williams recognition rejection relation relationships response revolutionary sacrifice seems seen sense significant simply social society Strindberg structure of feeling struggle suffering Tennessee Williams tension Threepenny Opera tion Tolstoy tradition tragic action tragic experience tragic hero transformation Vronsky whole action Williams Williams’s Women in Love