The Lincoln Assassination Conspirators: Their Confinement and Execution, as Recorded in the Letterbook of John Frederick Hartranft

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Edward Steers, Jr., Harold Holzer
LSU Press, 2009 M03 15 - 208 pages

On May 1, 1865, two weeks after Abraham Lincoln's assassination, recently inaugurated president Andrew Johnson appointed John Frederick Hartranft to command the military prison at the Washington Arsenal, where the U.S. government had just incarcerated the seven men and one woman accused of complicity in the shooting. From that day through the execution of four of the accomplices, the Pennsylvania-born general held responsibility for the most notorious prisoners in American history. A strict adherent to protocol, Hartranft kept a meticulously detailed account of his experiences in the form of a letterbook. In The Lincoln Assassination Conspirators, noted Lincoln scholars Edward Steers, Jr., and Harold Holzer, in partnership with the National Archives, present this fascinating historical record for the first time with contextual materials and expert annotations, providing a remarkable glimpse behind the scenes of the assassination's aftermath.
Hartranft oversaw every aspect of the prisoners' daily lives, from making sure they were fed and kept clean to ensuring that no one communicated with them except on the written orders of Secretary of War Edwin M. Stanton. In his Letterbook, Hartranft scrupulously recounts the arrival of each prisoner and describes the prison routine -- which included three simple meals a day, a twice-daily cell inspection by Hartranft himself, and frequent physical examinations by an army physician. The prisoners wore wrist and leg shackles and, controversially, most of them wore special hoods designed to isolate them from their surroundings.
When the conspirators' trial began, the nation waited eagerly for news, and many sought retribution against those they held responsible for the nation's grief. Hartranft resisted calls for both vengeance and mercy and continued to treat his notorious charges as humanely as possible, facilitating meetings with clergy and sending letters to and from family members. Yet, as his detached, detailed description of the execution of four of the conspirators shows, he did not allow emotion to impede the performance of his duty.
The legal and moral issues surrounding the conspirators' trial -- the extraordinary use of military rather than civil justice, the treatment of the accused while incarcerated, the fine line between swift and precipitous justice -- remain volatile, unsettled issues today. Hartranft's keen observations, ably analyzed by historians Steers and Holzer, will add a riveting new chapter to the story of Lincoln's assassination.

 

Contents

John Frederick Hartranft
3
The Conspirators Are Cornered
13
Abandon All Hope
21
Inter Arma Silent Leges
33
Let the Stain of Innocent Blood Be Removed from the Land
48
hartranfts postwar life
56
THE LETTERBOOK Transcribed and Annotated
61
Editors Note
63
The Letterbook
71
Reproductions from the Letterbook
161
Hartranfts Appointment and the Rules of the Prison
162
A Typical TwoPage Spread from the Letterbook
164
Hartranfts Response on Charges Mudd Was Given Special Treatment
166
The Execution Order from Major General Hancock
167
Hartranfts Report of the Execution
168
INDEX
171

Rules of the Prison
65

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About the author (2009)

Edward Steers, Jr., is the author or editor of numerous books and articles on the life and death of Abraham Lincoln, including The Escape and Capture of John Wilkes Booth and Lincoln Legends: Myths, Hoaxes, and Confabulations Associated with Our Greatest President. He lives in Berkeley Springs, West Virginia.
Harold Holzer is the author or coauthor of 31 books and 400 articles on the political culture of Abraham Lincoln and the Civil War era. In 2005, he received a Lincoln Prize for his book Lincoln at Cooper Union and performed "Lincoln Seen and Heard" with actor Sam Waterston, broadcast live on television from the White House. He lives in New York, where he is senior vice president for external affairs at the Metropolitan Museum of Art.

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