Literature and Life ...Edwin Greenlaw, Clarence Stratton Scott, Foresman, 1922 |
From inside the book
Results 1-5 of 97
Page 4
... scene of desolation that is the setting or framework of the picture ; the strength and compactness of the picture only a few details about the statue ; the emphasis on the cold cruelty of the face and on the inscription that re- mains ...
... scene of desolation that is the setting or framework of the picture ; the strength and compactness of the picture only a few details about the statue ; the emphasis on the cold cruelty of the face and on the inscription that re- mains ...
Page 6
... scenes , the persons , and the experiences they represent , just as if you were sitting in a motion picture theater and looking at a story made concrete and visible by art . You create your story of Atalanta's Race , or the story of the ...
... scenes , the persons , and the experiences they represent , just as if you were sitting in a motion picture theater and looking at a story made concrete and visible by art . You create your story of Atalanta's Race , or the story of the ...
Page 38
... scenes made vivid ? Tennyson had not visited the tropics . How , then , was he able to make his descriptions of tropical scenes seem so real ? 3. Study the introductory lines as an exam- ple of the way prosaic details may be made to ...
... scenes made vivid ? Tennyson had not visited the tropics . How , then , was he able to make his descriptions of tropical scenes seem so real ? 3. Study the introductory lines as an exam- ple of the way prosaic details may be made to ...
Page 53
... scene in which the action takes place ; ( e ) in the lan- guage , especially the adjectives . 11 . Choose one or two stanzas for careful study and commit them to memory . And the first gray of morning filled the east , And the fog rose ...
... scene in which the action takes place ; ( e ) in the lan- guage , especially the adjectives . 11 . Choose one or two stanzas for careful study and commit them to memory . And the first gray of morning filled the east , And the fog rose ...
Page 73
... scenes of the poem were therefore familiar to him . 2. The legend itself is widely known in one form or another in folk - lore . In this poem we have a combination of a story in which a man stumbles upon a group of supernatural beings ...
... scenes of the poem were therefore familiar to him . 2. The legend itself is widely known in one form or another in folk - lore . In this poem we have a combination of a story in which a man stumbles upon a group of supernatural beings ...
Other editions - View all
Common terms and phrases
American answer appeared asked beauty begin better bring called CHAPTER character child close comes door Duke effect England Enter Eppie expression eyes face father feel felt followed give Godfrey hand head hear heard heart interest keep kind King knew lady learned leave light literature live look Marner Master means mind Nancy Nature never night NOTES once passed person play poem poet poetry poor present QUESTIONS reason romance round scene seemed seen short side Silas soul speak spirit stand story strange sure tell thee there's things thou thought tion took Touch true turned verse wish writing young youth
Popular passages
Page 374 - Now, my co-mates and brothers in exile, Hath not old custom made this life more sweet Than that of painted pomp ? Are not these woods More free from peril than- the envious court ? Here feel we but the penalty of Adam, The seasons' difference, as the icy fang And churlish chiding of the winter's wind, Which, when it bites and blows upon my body, Even till I shrink with cold, I smile and say ' This is no flattery : these are counsellors That feelingly persuade me what I am.
Page 39 - Souls that have toiled, and wrought, and thought with me — That ever with a frolic welcome took The thunder and the sunshine, and opposed Free hearts, free foreheads — you and I are old; Old age hath yet his honor and his toil. so Death closes all; but something ere the end, Some work of noble note, may yet be done, Not unbecoming men that strove with Gods.
Page 38 - Myself not least, but honour'd of them all ; And drunk delight of battle with my peers, Far on the ringing plains of windy Troy. I am a part of all that I have met; Yet all experience is an arch wherethro' Gleams that untravell'd world, whose margin fades For ever and for ever when I move.
Page 13 - St Agnes' Eve — Ah, bitter chill it was! The owl, for all his feathers, was a-cold ; The hare limp'd trembling through the frozen grass, And silent was the flock in woolly fold : Numb were the Beadsman's fingers, while he told His rosary, and while his frosted breath, Like pious incense from a censer old, Seem'd taking flight for heaven, without a death, Past the sweet Virgin's picture, while his prayer he saith...
Page 561 - If his very initial sentence tend not to the outbringing of this effect, then he has failed in his first step. In the whole composition there should be no word written, of which the tendency, direct or indirect, is not to the one preestablished design.
Page 475 - Thy hand has graced him. Nestled at his root Is beauty, such as blooms not in the glare Of the broad sun. That delicate forest flower, With scented breath and look so like a smile, Seems, as it issues from the shapeless mould, An emanation of the indwelling Life, A visible token of the upholding Love, That are the soul of this great universe.
Page 265 - DURING THE WHOLE of a dull, dark, and soundless day in the autumn of the year, when the clouds hung oppressively low in the heavens, I had been passing alone, on horseback, through a singularly dreary tract of country; and at length found myself, as the shades of the evening drew on, within view of the melancholy House of Usher.
Page 265 - ... a sense of insufferable gloom pervaded my spirit. I say insufferable ; for the feeling was unrelieved by any of that half-pleasurable, because poetic, sentiment with which the mind usually receives even the sternest natural images of the desolate or terrible. I looked upon the scene before me — upon the mere house and the simple landscape features of the domain, upon the bleak walls, upon the vacant eyelike windows, upon a few rank sedges, and upon a few white trunks of decayed trees...
Page 24 - It might be months, or years, or days, I kept no count, I took no note, I had no hope my eyes to raise, And clear them of their dreary mote ; At last men came to set me free; 370 I asked not why, and recked not where ; It was at length the same to me, Fettered or fetterless to be, I learned to love despair.
Page 17 - Sank in her pillow. Shaded was her dream By the dusk curtains: — 'twas a midnight charm Impossible to melt as iced stream: The lustrous salvers in the moonlight gleam; Broad golden fringe upon the carpet lies: It...