The Yale Literary Magazine, Volume 85 |
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Page 90
Then they took him off the table , put him to bed , and told him that he would be well in time to start school in the fall . " But , you know , sir , the trouble was that outside the hospital all this time there were great arguments ...
Then they took him off the table , put him to bed , and told him that he would be well in time to start school in the fall . " But , you know , sir , the trouble was that outside the hospital all this time there were great arguments ...
Page 93
In the fall of 1920 the plan must be completed and in working order . That will mean that the committee will be reaching decisions upon these various questions very soon . It would seem essential that they should have the benefit of a ...
In the fall of 1920 the plan must be completed and in working order . That will mean that the committee will be reaching decisions upon these various questions very soon . It would seem essential that they should have the benefit of a ...
Page 95
The action takes place in the great drawing - room of Peter Magnus ' New York mansion , Washington Square North , in the fall of eighteen seventy - one . ACT ONE . ( The scene is laid in the great front drawing - room of Peter Magnus ...
The action takes place in the great drawing - room of Peter Magnus ' New York mansion , Washington Square North , in the fall of eighteen seventy - one . ACT ONE . ( The scene is laid in the great front drawing - room of Peter Magnus ...
Page 96
... same material falls over her shoulders like a chain , dangling , at about the level of her waist , a fat little gold pendant . She holds a letter . Suddenly her attention is caught by something on the polished surface of the table .
... same material falls over her shoulders like a chain , dangling , at about the level of her waist , a fat little gold pendant . She holds a letter . Suddenly her attention is caught by something on the polished surface of the table .
Page 112
They settle into the chairs , their faces assume a fixed expression , staring either at the ceiling or the floor , and the curtain falls . ) END OF ACT I. ( To be continued . ) Thornton N. Wilder . FOREWORD . We respectfully call the ...
They settle into the chairs , their faces assume a fixed expression , staring either at the ceiling or the floor , and the curtain falls . ) END OF ACT I. ( To be continued . ) Thornton N. Wilder . FOREWORD . We respectfully call the ...
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