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See F. Kayser, De Crantore Academico (1841); M. H. E. Meier, Opuscula academica, ii. (1863); F. Susemihl, Geschichte der griechischen Litteratur in der Alexandrinerzeit, i. (1891), p. 118.

CRANWORTH, ROBERT MONSEY ROLFE, BARON (17901868), lord chancellor of England, elder son of the Rev. E. Rolfe, was born at Cranworth, Norfolk, on the 18th of December

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who speaks of it (Acad. ii. 44. 135) in the highest terms (aureolus | plain, twilled and fancy crash. A large variety obtains with and et ad verbum ediscendus). Crantor paid especial attention to without fancy borders, while of late years cotton has been ethics, and arranged "good" things in the following order-introduced as warp, as well as mixed and jute yarns for weft. virtue, health, pleasure, riches. After the cloth has passed through all the finishing operations, it is cut up into lengths of about 3 yds., the two ends sewn together and it is then ready to be placed over a suspended roller; for this reason it is often termed "roller towelling." CRASHAW, RICHARD (1613-1650), English poet, styled the divine," was born in London about 1613. He was the son of a strongly anti-papistical divine, Dr William Crashaw (15721626), who distinguished himself, even in those times, by the of these opinions, however, he was attracted by Catholic devotion, excessive acerbity of his writings against the Catholics. In spite for he translated several Latin hymns of the Jesuits. Richard Crashaw was originally put to school at Charterhouse, but in July 1631 he was admitted to Pembroke College, Cambridge, The publication of where he took the degree of B.A. in 1634. Herbert's Temple in 1633 seems to have finally determined the bias of his genius in favour of religious poetry, and next year he published his first book, Epigrammatum sacrorum liber, a volume of Latin verses. In March 1636 he removed to Peterhouse, was made a fellow of that college in 1637, and proceeded M.A. in 1638. It was about this time that he made the acquaintance and secured the lasting friendship of Abraham Cowley. He was also on terms of intimacy with the Anglican monk Nicholas Ferrar, and frequently visited him at his religious house at Little Gidding. In 1641 he is said to have gone to Oxford, but only for a short time; for when in 1643 Cowley left Cambridge to seek a refuge at Oxford, Crashaw remained behind, and was forcibly ejected from his fellowship in 1644. In the confusion of the civil wars he escaped to France, where he finally embraced the Catholic religion, towards which he had long been tending.

1790. Educated at Bury St Edmunds, Winchester, and Trinity College, Cambridge, he was called to the bar at Lincoln's Inn in 1816, and attached himself to the chancery courts. He represented Penryn and Falmouth in parliament from 1832 till his promotion to the bench as baron of the exchequer in 1839. In 1850 he was appointed a vice-chancellor and created Baron Cranworth, and in 1852 he became lord chancellor in Aberdeen's ministry. He continued to hold the chancellorship in the administration of Palmerston until the latter's resignation in 1857. He was not reappointed when Palmerston returned to office in 1859, but on the retirement of Lord Westbury in 1865 he accepted the great seal for a second time, and held it till the fall of the Russell administration in 1866. Cranworth died in London on the 26th of July 1868. Never a very zealous law reformer, Cranworth's name is associated in the statute book with only one small measure on conveyancing. But as a judge he will continue to hold first rank. His judgments were marked by sound common sense, while he himself was remarkably free from the prejudices of his profession. Few men of his day enjoyed greater personal popularity than Cranworth. He left no issue and the title

became extinct on his death.

See The Times, 27th of July 1868; E. Manson, The Builders of our Law (1904); E. Foss, The Judges of England (1848-1864); J. B. Atlay, Lives of the Chancellors, vol. ii. (1908).

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CRAPE (an anglicized version of the Fr. crêpe), a silk fabric of a gauzy texture, having a peculiar crisp or crimpy appearance. It is woven of hard spun silk yarn "in the gum or natural condition. There are two distinct varieties of the textile-soft, Canton or Oriental crape, and hard or crisped crape. The wavy appearance of Canton crape results from the peculiar manner in which the weft is prepared, the yarn from two bobbins being twisted together in the reverse way. The fabric when woven is smooth and even, having no crêpé appearance, but when the gum is subsequently extracted by boiling it at once becomes soft, and the weft, losing its twist, gives the fabric the waved structure which constitutes its distinguishing feature. Canton crapes are used, either white or coloured, for ladies' scarves and shawls, bonnet trimmings, &c. The Chinese and Japanese excel in the manufacture of soft crapes. The crisp and elastic structure of hard crape is not produced either in the spinning or in the weaving, but is due to processes through which the gauze passes after it is woven. What the details of these processes are is known to only a few manufacturers, who so jealously guard their secret that, in some cases, the different stages in the manufacture are conducted in towns far removed from each other. Commercially they are distinguished as single, double, three-ply and four-ply crapes, according to the nature of the yarn used in their manufacture, They are almost exclusively dyed black and used in mourning dress, and among Roman Catholic communities for nuns' veils, &c. In Great Britain hard crapes are made at Braintree in Essex, Norwich, Yarmouth, Manchester and Glasgow. The crape formerly made at Norwich was made with a silk warp and worsted weft, and is said to have afterwards degenerated into bombazine. A very successful imitation of real crape is made in Manchester of cotton yarn, and sold under the name of Victoria

crape.

During his exile his religious and secular poems were collected by an anonymous friend, and published under the title of Steps to the Temple and The Delights of the Muses, in one volume, in 1646. The first part includes the hymn to St Teresa and the version of Marini's Sospetto d' Herode. This same year Cowley found him in great destitution at Paris, and induced Queen Henrietta Maria to extend towards him what influence she still possessed. At her introduction he proceeded to Italy, where he became attendant to Cardinal Palotta at Rome. In 1648 he published two Latin hymns at Paris. He remained until 1649 in the service of the cardinal, to whom he had a great personal attachment; but his retinue contained persons whose violent and licentious behaviour was a source of ceaseless vexation to the sensitive English mystic. At last his denunciation of their excesses became so public that the animosity of those persons was excited against him, and in order to shield him from their revenge he was sent by the cardinal in 1650 to Loretto, where he was made a canon of the Holy House. In less than three weeks, however, he sickened of fever, and died on the 25th of August, not without grave suspicion of having been poisoned. He was buried in the Lady chapel at Loretto. A collection of his religious poems, entitled Carmen Deo nostro, was brought out in Paris in 1652, dedicated at the dead poet's desire to the faithful friend of his sufferings, the countess of Denbigh. The book is illustrated by thirteen engravings after Crashaw's own designs.

Crashaw excelled in all manner of graceful accomplishments; besides being an excellent Latinist and Hellenist, he had an intimate knowledge of Italian and Spanish; and his skill in music, painting and engraving was no less admired in his lifetime than his skill in poetry. Cowley embalmed his memory in an elegy that ranks among the very finest in our language, in which he, a Protestant, well expressed the feeling left on the minds of contemporaries by the character of the young Catholic poet:"His faith, perhaps, in some nice tenets might Be wrong; his life, I'm sure, was in the right: And I, myself, a Catholic will be,

CRASH, a technical textile term applied to a species of narrow towels, from 14 to 20 in. wide. The name is probably of Russian origin, the simplest and coarsest type of the cloth being known as Russia crash." The latter is made from grey flax or tow yarns, and sometimes from boiled yarns. The simple term "crash " is given to all these narrow cloths, but the above distinction is The poetry of Crashaw will be best appreciated by those who can very convenient, as also are the following: grey, boiled, bleached, I with most success free themselves from the bondage of a traditional

So far at least, dear saint, to pray to thee!"

Means of vegetative propagation are general. Many species spread by means of a creeping much-branched rootstock, or as in house-leek, by runners which perish after producing a terminal leaf-rosette. In other cases small portions of the stem or leaves give rise to new plants by budding, as in Bryophyllum, where buds develop at the edges of the leaf and form new plants.

sense of the dignity of language. The custom of his age permitted | Opposite each carpel is a small scale which functions as a nectary. the use of images and phrases which we now justly condemn as incongruous and unseemly, and the fervent fancy of Crashaw carried this licence to excess. At the same time his verse is studded with fiery beauties and sudden felicities of language, unsurpassed by any lyrist between his own time and Shelley's. There is no religious poetry in English so full at once of gross and awkward images and imaginative touches of the most ethereal beauty. The temper of his intellect seems to have been delicate and weak, fiery and uncertain; he has a morbid, almost hysterical, passion about him, even when his ardour is most exquisitely expressed, and his adoring addresses to the saints have an effeminate falsetto that makes their ecstasy almost repulsive. The faults and beauties of his very peculiar style can be studied nowhere to more advantage than in the Hymn to Saint Teresa. Among the secular poems of Crashaw the best are Music's Duel, which deals with that strife between the musician and the nightingale which has inspired so many poets, and Wishes to his supposed Mistress. In his latest sacred poems, included in the Carmen Deo nostro, sudden and eminent beauties are not wanting, but the mysticism has become more pronounced, and the ecclesiastical mannerism more harsh and repellent. The themes of Crashaw's verses are as distinct as possible from those of Shelley's, but it may, on the whole, be said that at his best moments he reminds the reader more closely of the author of Epipsychidion than of any earlier or later poet.

Crashaw's works were first collected, in one volume, in 1858 by W. B. Turnbull. In 1872 an edition, in 2 volumes, was printed for private subscription by the Rev. A. B. Grosart. A complete edition was edited (1904) for the Cambridge University Press by Mr A. R. Waller. (E. G.) CRASSULACEAE, in botany, a natural order of dicotyledons, containing 13 genera and nearly 500 species; of cosmopolitan distribution, but most strongly developed in South Africa. The plants are herbs or small shrubs, generally with thick fleshy stems and leaves, adapted for life in dry, especially rocky places. The fleshy leaves are often reduced to a more or less cylindrical structure, as in the stonecrops (Sedum), or form closely crowded rosettes as in the house-leek (Sempervivum). Correlated with their life in dry situations, the bulk of the tissue is succulent, forming a water-store, which is protected from loss by evaporation by a thickly cuticularized epidermis covered with a waxy secretion which gives a glaucous appearance to the plant. The flowers are generally arranged in terminal or axillary clusters, and are markedly regular with the same number of parts in each series. This number is, however, very variable, and often not

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The order is almost absent from Australia and Polynesia, and has but few representatives in South America; it is otherwise very generally distributed. The largest genus, Sedum, contains about 140 species in the temperate and colder parts of the northern hemisphere; eight occur wild in Britain, including S. Telephium (orpine) and S. acre (common stonecrop) (see fig.). The species are easily cultivated and will thrive in almost any soil. They are readily propagated by seeds, cuttings or divisions. Crassula has about 100 species, chiefly at the Cape. Cotyledon, a widely distributed genus with about 90 species, is represented in the British Isles by C. Umbilicus, pennywort, or navelwort, which takes its name from the succulent peltate leaves. It grows profusely on dry rocks and walls, especially on the western coasts, and bears a spike of drooping greenish cup-shaped flowers. The Echeveria of gardens is now included in this genus. Sempervivum has about 50 species in the mountains of central and southern Europe, in the Himalayas, Abyssinia, and the Canaries and Madeira; S. tectorum, common house-leek, is seen often growing on tops of walls and house-roofs. The hardy species will grow well in dry sandy soil, and are suitable for rockeries, old walls or edgings. They are readily propagated by offsets or by seed. The order is closely allied to Saxifragaceae, from which it is distinguished by its fleshy habit and the larger number of carpels. CRASSUS (literally dense, ," "fat "), a family name thick," in the Roman gens Licinia (plebeian). The most important of the name are the following: 1. PUBLIUS LICINIUS CRASSUS, surnamed Dives Mucianus, He was Roman statesman, orator and jurist, consul, 131 B.C. the son of P. Mucius Scaevola (consul 175) and was adopted by Gracchus, he was chosen after his death to take his place on the agrarian commission (see GRACCHUS). In 131 when Crassus was consul with L. Valerius Flaccus, Aristonicus, an illegitimate son of Eumenes II. of Pergamum, laid claim to the kingdom, which had been bequeathed by Attalus III. to Rome. Both consuls were anxious to obtain the command against him; Crassus was pontifex maximus, and Flaccus a flamen of Mars. Crassus declared that Flaccus could not neglect his sacred office, and imposed a conditional fine on him in the event of his leaving Rome. The popular assembly remitted the fine, but Flaccus was ordered to obey the pontifex maximus. Crassus accordingly proceeded to Asia, although in doing so he violated the rule which forbade the pontifex maximus to leave Italy. Nothing is known of his military operations. But in the following year, when he was making preparations to return, he was surprised near Leucae. He was himself taken prisoner by a Thracian band, and provoked his captors, who were ignorant of his identity, to put him to death. Crassus does not seem to have possessed much military ability, but he was greatly distinguished for his knowledge of law and his accomplished oratory. He had acquired such a mastery of the Greek language that, when he presided over the courts in Asia, he was able to answer each suitor in ordinary Greek or any of the dialects in use.

a P. Licinius Crassus Dives. An intimate friend of Tiberius

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Cicero, De oratore, i. 50; Philippics, xi. 8; Plutarch, Tib. Gracchus, 21; Livy, Epit. 59; Val. Max. iii. 2. 12, viii. 7. 6; Vell. Pat. ii. 4; Justin xxxvi. 4; Orosius v. 10.

2. LUCIUS LICINIUS CRASSUS (140-91 B.C.), the orator, of unknown parentage. At the age of nineteen (or twenty-one) he made his reputation by a speech against C. Papirius Carbo, the friend of the Gracchi. The law passed by him and his colleague Q. Mucius Scaevola during their consulship (95), to prevent those passing as Roman citizens who had no right to the title, was one of the prime causes of the Social War (Cicero, Pro Balbo, xxi., De officiis, iii. 11). During his censorship Crassus suppressed the newly founded schools of Latin rhetoricians (Aulus Gellius

37 ff.).

Fragments in Meineke, Poëtarum Comicorum Graecorum frag

menta, i.

XV. 11). He died from excitement caused by his passionate | (Aristotle, Poëtica, 5). He is stated to have been the first to speech against the consul L. Marcius Philippus, who had insulted represent the drunkard on the stage (Aristophanes, Knights, the Senate. Crassus is one of the chief speakers in the De oratore of Cicero, who has also preserved a few fragments of his speeches. 3. PUBLIUS LICINIUS CRASSUS, called Dives, father of the triumvir. Little is known of him before he became consul in 97, except that he proposed a law regulating the expenses of the table, which met with general approval. During his consulship the practice of magic arts was condemned by a decree of the senate,

and human sacrifice was abolished. He was subsequently governor of Spain for some years, during which he gained several successes over the Lusitanians, and on his return in 93 was honoured with a triumph. After the Social War, as censor with L. Julius Caesar, he had the task of enrolling in new tribes certain of the Latins and Italians as a reward for their loyalty to the Romans, but the proceedings seem to have been interrupted by certain irregularities. They also forbade the introduction of foreign wines and unguents. Crassus committed suicide in 87, to avoid falling into the hands of the Marian party. Plutarch, Crassus, 4; Aulus Gellius ii. 24; Macrobius, Saturnalia, ii. 13; Livy, Epit. 80; Pliny, Nat. Hist. xxx. 3; Appian, Bell. Civ. i. 72; Festus, under Referri. 4. MARCUS LICINIUS CRASSUS (c. 115-53 B.C.), the Triumvir, surnamed Dives (rich) on account of his great wealth. His wealth was acquired by traffic in slaves, the working of silver mines, and judicious purchases of lands and houses, especially those of proscribed citizens. The proscription of Cinna obliged him to flee to Spain; but after Cinna's death he passed into Africa, and thence to Italy, where he ingratiated himself with Sulla. Having been sent against Spartacus, he gained a decisive victory, and was honoured with a minor triumph. Soon afterwards he was elected consul with Pompey, and (70) displayed his wealth by entertaining the populace at 10,000 tables, and distributing sufficient corn to last each family three months. In 65 he was censor, and in 60 he joined Pompey and Caesar in the coalition known as the first triumvirate. In 55 he was again consul with Pompey, and a law was passed, assigning the provinces of the two Spains and Syria to the two consuls for five years. Crassus was satisfied with Syria, which promised to be an inexhaustible source of wealth. Having crossed the Euphrates he hastened to make himself master of Parthia; but he was defeated at Carrhae (53 B.C.) and taken prisoner by Surenas, the Parthian general, who put him to death by pouring molten gold down his throat. His head was cut off and sent to Orodes, the Parthian king. Crassus was a man of only moderate abilities, and owed his importance to his great wealth.

See Plutarch's Life; also CAESAR, GAIUS JULIUS; POMPEY; ROME: History, II. The Republic."

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CRATER, the cavity at the mouth of a volcanic duct, usually funnel-shaped or presenting the form of a bowl, whence the name, from the Gr. κparhp, a bowl. A volcanic hill may have a single crater at, or near, its summit, or it may have several minor craters on its flanks: the latter are sometimes called "adventitious

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craters " or craterlets." Much of the loose ejected material, falling in the neighbourhood of the vent, rolls down the inner wall of the crater, and thus produces a stratification with an inward dip. The crater in an active volcano is kept open by intermittent explosions, but in a volcano which has become dormant or extinct the vent may become plugged, and the bowlshaped cavity may subsequently be filled with water, forming a crater-lake, or as it is called in the Eifel a Maar. In some basaltic cones, like those of the Sandwich Islands, the crater may be a broad shallow pit, having almost perpendicular walls, with horizontal stratification. Such hollows are consequently called pit-craters. The name caldera (Sp. for cauldron) was suggested for such pits by Capt. C. E. Dutton, who regarded them as having been formed by subsidence of the walls. The term caldera is often applied to bowl-shaped craters in Spanishspeaking countries. (See VOLCANO.)

CRATES, Athenian actor and author of comedies, flourished about 470 B.C. He was regarded as the founder of Greek comedy proper, since he abandoned political lampoons on individuals, and introduced more general subjects and a well-developed plot

CRATES, the name of two Greek philosophers.

1. CRATES, of Athens, successor of Polemo as leader of the Old Academy.

2. CRATES, of Thebes, a Cynic philosopher of the latter half of

the 4th century. He was the famous pupil of Diogenes, and the last great representative of Cynicism. It is said that he lost his ample fortune owing to the Macedonian invasion, but a more probable story is that he sacrificed it in accordance with his principles, directing the banker, to whom he entrusted it, to give it to his sons if they should prove fools, but to the poor if his sons should prove philosophers. He gave up his life to the attainment of virtue and the propagation of ascetic self-control. His habit of entering houses for this purpose, uninvited, earned him the nickname Ouρeπavoiктηs (“ Door-opener"). His marriage with Hipparchia, daughter of a wealthy Thracian family, was in curious contrast to the prosaic character of his life. Attracted by the nobility of his character and undeterred by his poverty and ugliness, she insisted on becoming his wife in defiance of her father's commands. The date of his death is unknown, though he seems to have lived into the 3rd century. His writings were few. According to Diogenes Laërtius, he was the author of a number of letters on philosophical subjects; but those extant under the name of Crates (R. Hercher, Epistolographi Graeci, 1873) are spurious, the work of later rhetoricians. Diogenes Laërtius credits him with a short poem, Пalyva, and several philosophic tragedies. Plutarch's life of Crates is lost. The great importance of Crates' work is that he formed the link between Cynicism and the Stoics, Zeno of Citium being his pupil.

See N. Postumus, De Cratete Cynico (1823); F. Mullach, Frag. Philosophorum Graecorum, ii. (1867); E. Wellmann in Ersch and Gruber's Allgemeine Encyklopädie; Diog. Laërt. vi. 85-93, 96-98. CRATES, of Mallus in Cilicia, a Greek grammarian and Stoic philosopher of the 2nd century B.C., leader of the literary school and head of the library of Pergamum. His principles were opposed to those of Aristarchus, the leader of the Alexandrian school. He was the chief representative of the allegorical theory of exegesis, and maintained that Homer intended to express scientific or philosophical truths in the form of poetry. About 170 B.C. he visited Rome as ambassador of Attalus II., king of Pergamum; and having broken his leg and been compelled to stay there for some time, he delivered lectures which gave the first impulse to the study of grammar and criticism among the Romans (Suetonius, De grammaticis, 2). His chief work was a critical and exegetical commentary on Homer.

See C. Wachsmuth, De Cratete Mallota (1860), containing an account of the life, pupils and writings of Crates; J. E. Sandys, Hist. of Class. Schol. ì. 156 (ed. 2, 1906).

CRATINUS (c. 520-423 B.C.), Athenian comic poet, chief representative of the old, and founder of political, comedy. Hardly anything is known of his life, and only fragments of his works have been preserved. But a good idea of their character can be gained from the opinions of his contemporaries, especially Aristophanes. His comedies were chiefly distinguished by their direct and vigorous political satire, a marked exception being the burlesque 'Odvσσeîs, dealing with the story of Odysseus in the cave of Polyphemus, probably written while a law was in force forbidding all political references on the stage. They were also remarkable for the absence of the parabasis and chorus. Persius calls the author " the bold," and even Pericles at the height of his power did not escape his vehement attacks, as in the Nemesis and Archilochi, the last-named a lament for the loss of the recently deceased Cimon, with whose conservative sentiments Cratinus was in sympathy. The Panoptae was a satire on the sophists and omniscient speculative philosophers of the day. Of his last comedy the plot has come down to us. It was occasioned by the sneers of Aristophanes and others, who declared that he was no better than a doting drunkard. Roused by the taunt, Cratinus put forth all his strength, and in 423 B.C. produced the IIvrin,

for agriculture by the process of warping, carried out by means of the Canal de Craponne, which dates from the middle of the 16th century; about one-quarter of the region in the north and east has thus been covered by the rich deposits of the waters of the Durance. The soil also responds in places to deep cultivation and the application of artificial manures. By these aids, uncultivated land, which before supplied only rough and scanty pasture for a few sheep, has been fitted for the growth of the vine, olive and other fruits; where irrigation is practicable, watermeadows have been formed. The dryness of the climate is unfavourable to the production of cereals.

or Bottle, which gained the first prize over the Clouds of Aristo- | sea-bed. Naturally sterile and poor in lime, the Crau is adapted phanes. In this comedy, good-humouredly making fun of his own weakness, Cratinus represents the comic muse as the faithful wife of his youth. His guilty fondness for a rival-the bottle has aroused her jealousy. She demands a divorce from the archon; but her husband's love is not dead and he returns penitent to her side. In Grenfell and Hunt's Oxyrhynchus Papyri, iv. (1904), containing a further instalment of their edition of the Behnesa papyri discovered by them in 1896-1897, one of the greatest curiosities is a scrap of paper bearing the argument of a play by Cratinus,-the Dionysalexandros (i.e. Dionysus in the part of Paris), aimed against Pericles; and the epitome reveals something of its wit and point. The style of Cratinus has been likened to that of Aeschylus; and Aristophanes, in the Knights, compares him to a rushing torrent. He appears to have been fond of lofty diction and bold figures, and was most successful in the lyrical parts of his dramas, his choruses being the popular festal songs of his day. According to the statement of a doubtful authority, which is not borne out by Aristotle, Cratinus increased the number of actors in comedy to three. He wrote 21 comedies and gained the prize nine times.

Fragments in Meineke, Fragmenta Comicorum Graecorum, or Kock, Comicorum Atticorum fragmenta. A younger Cratinus flourished in the time of Alexander the Great. It is considered that some of the comedies ascribed to the elder Cratinus were really the work of the younger.

CRAUCK, GUSTAVE (1827-1905), French sculptor, was born and died at Valenciennes, where a special museum for his works was erected in his honour. Though little known to the world at large during his long life, he ranks among the best modern sculptors of France. At Paris his" Coligny "monument is in the rue de Rivoli; his "Victory" in the Place des Arts et Métiers; and "Twilight" in the Avenue de l'Observatoire. Among his finest works is his "Combat du Centaure," on which he was engaged for thirty years, the figure of the Lapith having been modelled after the athlete, Eugene Sandow. In 1907 an exhibition of his works was held in the Ecole des Beaux-Arts.

CRAUFURD, QUINTIN (1743-1819), British author, was born at Kilwinnock on the 22nd of September 1743. In early life he went to India, where he entered the service of the East India CRATIPPUS (fl. c. 375 B.C.), Greek historian. There are only Company. Returning to Europe before the age of forty with a three or four references to him in ancient literature, and his handsome fortune, he settled in Paris, where he gave himself to importance is due to the fact that he has been identified by several the cultivation of literature and art, and formed a good library scholars (e.g. Blass) with the author of the historical fragment and collection of paintings, coins and other objects of antiquarian discovered by Grenfell and Hunt, and published by them in interest. Craufurd was on intimate terms with the French court, Oxyrhynchus Papyri, vol. v. It may be regarded as a fairly especially with Marie Antoinette, and was one of those who certain inference from a passage in Plutarch (De Gloria Athe-arranged the flight to Varennes. He escaped to Brussels, but in niensium, p. 345 E, ed. Bernardakis, ii. p. 455) that he was an Athenian writer, intermediate in date between Thucydides and Xenophon, and that his work continued the narrative of Thucydides, from the point at which the latter historian stopped (410 B.C.) down to the battle of Cnidus (394 B.C.).

The fragments are published in C. Müller's Fragmenta Historicorum Graecorum. For authorities see under THEOPOMPUS.

CRATIPPUS, of Mitylene (1st century B.C.), Peripatetic philosopher, contemporary with Cicero, whose son he taught at Athens, and by whom he is praised in the De officiis as the greatest of his school. He was the friend of Pompey also and shared his flight after the battle of Pharsalia, for the purpose, it is said, of convincing him of the justice of providence. Brutus, while at Athens after the assassination of Caesar, attended his

lectures. The freedom of Rome was conferred upon him by Caesar, at the request of Cicero. The only work attributed to him is a treatise on divination, but his reputation may be gauged by the fact that in 44 B.C. the Areopagus invited him to succeed Andronicus of Rhodes as scholarch. He seems to have held that, while motion, sense and appetite cannot exist apart from the body, thought reaches its greatest power when most free from bodily influence, and that divination is due to the direct action of the divine mind on that faculty of the human soul which is not dependent on the body.

Cicero, De divinatione, i. 3, 32, 50, ii. 48, 52; De officiis, i. 1, iii. 2; Plutarch, Cicero, 24.

1792 he returned to Paris in the hope of rescuing the royal prisoners. He lived among the French émigrés until the peace of Amiens made it possible to return to Paris. Through Talleyrand's influence he was able to remain in Paris after the war was renewed, and he died there on the 23rd of November 1819. He wrote, among other works, The History, Religion, Learning and Manners of the Hindus (1790), Secret History of the King of France and his Escape from Paris (first published in 1885), Researches concerning the Laws, Theology, Learning and Commerce of Ancient and Modern India (1817), History of the Bastille (1798), On Pericles and the Arts in Greece (1815), Essay on Swift and his Influence on the British Government (1808), Notice sur Marie Antoinette (1809), Mémoires de Mme du Hausset (1808).

CRAUFURD, ROBERT (1764-1812), British major-general, entered the 25th Foot in 1779. As captain in the 75th regiment was born at Newark, Ayrshire, on the 5th of May 1764, and he first saw active service against Tippoo Sahib in 1790-92. The next year he was employed, under his brother Charles, with the Austrian armies operating against the French. Returning to England in 1797, he soon saw further service, as a lieutenantcolonel, on Lake's staff in the Irish rebellion. A year later he was British commissioner on Suvarov's staff when the Russians invaded Switzerland, and at the end of 1799 was in the Helder expedition. From 1801 to 1805 Lieutenant-Colonel Craufurd sat in parliament for East Retford, but in 1807 he resumed active service with Whitelock in the unfortunate Buenos Aires expedition. He was CRAU (from a Celtic root meaning "stone"), a region of almost the only one of the senior officers who added to his southern France, comprised in the department of Bouches-du- reputation in this affair, and in 1808 he received a brigade Rhone, and bounded W. by the canal from Arles to Port du command under Sir John Moore. His regiments were heavily Bouc and the Rhone, N. by the chain of the Alpines separating it engaged in the earlier part of the famous retreat, but were not from an analogous region, the Petite Crau, E. by the hills around present at Corunna, having been detached to Vigo, whence they Salon and Istres, S. by the gulf of Fos, an inlet of the Mediter- returned to England. Later in 1809, once more in the Peninsula, ranean Sea. Covering an area of about 200 sq. m., the Crau is a Brigadier-General Craufurd was three marches or more in rear low-lying, waterless plain, owing its formation to a sudden of Wellesley's army when a report came in that a great battle was inundation, according to some authorities, of the Rhone and the in progress. The march which followed is one almost unDurance, according to others of the Durance alone. Its surface paralleled in military annals. The three battalions of the is formed chiefly of stones varying in size from an egg to a man's" Light Brigade " (43rd, 52nd and 95th) started in full marching head; these, mixed with a proportion of fine soil, overlie a subsoil formed of stones cemented into a hard mass by deposits of calcareous mud, beneath which lies a bed of loose stones, once the

order, and arrived at the front on the day after the battle of Talavera, having covered 62 m. in twenty-six hours. Beginning their career with this famous march, these regiments and their

chief, under whom served such men as Charles and William Napier, Shaw and Colborne, soon became celebrated as one of the best corps of troops in Europe, and every engagement added to their laurels. Craufurd's operations on the Coa and Agueda in 1810 were daring to the point of rashness, but he knew the quality of the men he led better than his critics did, and though Wellington censured him for his conduct, he at the same time increased his force to a division by the addition of two picked regiments of Portuguese Caçadores. The conduct of the renowned "Light Division " at Busaco is described by Napier in one of his most vivid passages. The winter of 1810-1811 Craufurd spent in Englard, and his division was commanded in the interim by another officer, who did not display much ability. He reappeared on the ield of the battle of Fuentes d'Onoro amidst the cheers of his men and nothing could show his genius for war better than his conduct on this day, in covering the strange readjustment of his line which Wellington was compelled to make in the face of the enemy. A little later he obtained major-general's rank; and on the 19thof January 1812, as he stood on the glacis of Ciudad Rodrigo, directing the stormers of the Light Division, he fell mortally wounded. His body was carried out of action by his staff office, Lieutenant Shaw of the 43rd (see SHAW KENNEDY), and, afterlingering four days, he died. He was buried in the breach of the fortress where he had met his death, and a monumentin St Paul's cathedral commemorates Craufurd and Mackinnor the two generals killed at the storming of Ciudad Rodrigo. The exploits of Craufurd and the Light Division are amongst th most cherished traditions of the British and Portuguese rmies. One of the quickest and most brilliant, if not the very fir, of Wellington's generals, he had a fiery temper, which rendeid him a difficult man to deal with, but to the day of his death he ossessed the confidence and affection of his men in an extraordirry degree.

His elder bother, Lieutenant-General Sir CHarles Craufurd (1761-1821), ntered the 1st Dragoon Guards in 1778. Made captain in the Queen's Bays in 1785, he became the equerry and intimate frien of the duke of York. He studied in Germany for some time, an with his brother Robert's assistance, translated Tielcke's book n the Seven Years' War (The Remarkable Events of the War betwen Prussia, Austria and Russia from 1756 to 1763). As aide-de-cam he accompanied the duke of York to the French War in 1793, al was at once sent as commissioner to the Austrian headqurters, with which he was present at Neerwinden, Caesar's CampFamars, Landrecies, &c. Major in 1793, and lieutenant-colon in 1794, he returned to the English army in the latter year, andon one occasion distinguished himself at the head of two squarons, taking 3 guns and 1000 prisoners. When the British army ft the continent Craufurd was again attached to the Austrian my, and was present at the actions on the Lahn, the combaɔf Neumarkt, and the battle of Amberg. At the last battle a sere wound rendered him incapable of further service, and cut ort a promising career. He succeeded his brother Robert as ember of parliament for East Retford (18061812). He died in 821, having become a lieutenant-general and a G.C.B.

CRAVAT (from he Fr. cravate, a corruption of "Croat "), the name given byne French in the reign of Louis XIV. to the scarf worn by the Catian soldiers enlisted in the royal Croatian regiment. Made oinen or muslin with broad edges of lace, it became fashionable,nd the name was applied both in England and France to varis forms of neckerchief worn at different times, from the loosy tied lace cravat with long flowing ends, called a "Steinkirk 'rom the battle of 1692 of that name, to the elaborately folded antightly starched linen or cambric neckcloth worn during the pericof Beau Brummell.

CRAVEN, PAULIN MARIE ARMANDE AGLAÉ (18081891), French author, e daughter of an émigré Breton nobleman, was born in London othe 12th of April 1808. Her father, the comte Auguste de la Fronays, was a close friend of the duc de Berri, whom he acconanied on his return to France in 1814. He and his wife were aached to the court of Charles X. at the Tuileries, but a mometry quarrel with the duc de Berri made

He was

retirement imperative to the count's sense of honour. appointed ambassador at St Petersburg, and in 1827 became foreign minister in Paris. Pauline was thus brought up in brilliant surroundings, but her strongest impressions were those which she derived from the group of Catholic thinkers gathered round Lamennais, and her ardent piety furnishes the key of her life. In 1828 her father was sent to Rome, and Pauline, at the suggestion of Alexis Rio, the art critic, made her first literary essay with a description of the emotions she experienced on a visit to the catacombs. At the revolution of July, M. de la Ferronays resigned his position, and retired with his family to Naples. Here Pauline met her future husband, Augustus Craven, who was then attaché to the British embassy. His father, Keppel Richard Craven, the well-known supporter of Queen Caroline, objected to his son's marriage with a Catholic; but his scruples were overcome, and immediately after the marriage (1834) Augustus Craven was received into the Roman Catholic Church. Mrs Craven, whose family life as revealed in the Récit d'une sœur was especially tender and intimate, suffered several severe bereavements in the years following on her marriage. The Cravens lived abroad until 1851, when the death of Keppel Craven made his son practically independent of his diplomatic career, in which he had not been conspicuously successful. He stood unsuccessfully for election to parliament for Dublin in 1852, and from that time retired into private life. They went to live at Naples in 1853, and Mrs Craven began to write the history of the family life of the la Ferronays between 1830 and 1836, its incidents being grouped round the love story of her brother Albert and his wife Alexandrine. This book, the Récit d'une sœur (1866, Eng. trans. 1868), was enthusiastically received and was awarded a prize by the French Academy. Straitened circumstances made it desirable for Mrs Craven to earn money by her pen. Anne Sévérin appeared in 1868, Fleurange in 1871, Le Mot d'énigme in 1874, Le Valbriant (Eng. trans., Lucia) in 1886. Among her miscellaneous works may be mentioned La Sœur Natalie Narischkin (1876), Deux Incidents de la question catholique en Angleterre (1875), Lady Georgiana Fullerton, sa vie et ses œuvres (1888). Mrs Craven's charming personality won her many friends. She was a frequent guest with Lod Palmerston, Lord Ellesmere and Lord Granville. She died in Paris on the 1st of April 1891. Her husband, who died in 1884, translated the correspondence of Lord Palmerston and of the Prince Consort into French.

See Memoir of Mrs Augustus Craven (1894), by her friend Mrs Mary Catherine Bishop; also Paolina Craven, by T. F. Ravaschieri Fieschi (1892). There is a biography of Mrs Craven's father, "En Emigration," in Étienne Lamy's Témoins des jours passés (1907).

and

CRAVEN, WILLIAM CRAVEN, EARL OF (1608-1697), eldest son of Sir William Craven, lord mayor of London, and of Elizabeth, daughter of Alderman William Whitmore, was born in June 1608, matriculated at Trinity College, Oxford, in 1623, joined the society of the Middle Temple in 1624. He had already inherited his father's vast fortune by the latter's death in 1618, and before he came of age he had distinguished himself in the military service of the princes of Orange. Returning home he was knighted and created Baron Craven of Hampstead Marshall in Berkshire in 1627. He early showed enthusiasm for the cause of the unfortunate king and queen of Bohemia, driven from their dominions, and in 1632 joined Frederick in a military expedition to recover the Palatinate, meeting Gustavus Adolphus at Höchst, whose praise he gained by being the first, though wounded, to mount the breach at the capture of Kreuznach on the 22nd of February. The Swedish king, however, refused to allow the elector an independent command for the defence of the Palatinate, and Craven returned to England. In May 1633 he was placed on the council of Wales. In 1637 he took part in a second expedition in aid of the palatine family on the Lower Rhine, with the young elector Charles Louis and his brother Rupert, and offered as a contribution the sum of £30,000, but their forces were defeated near Wessel and Craven wounded and taken prisoner together with Rupert. He purchased his freedom in 1639, and then joined the small court of the exiled queen

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