Imagination and Language: Collected Essays on Constant, Baudelaire, Nerval and FlaubertCUP Archive, 1981 - 479 pages |
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Contents
experience 1967 | 3 |
le problème de lexpression 1968 | 61 |
Constants Adolphe read by Balzac and Nerval 1972 | 80 |
Framework as a suggestive art in Constants Adolphe | 96 |
some remarks on variants | 108 |
Some remarks on Baudelaires Poème du Haschisch 1952 | 129 |
Observations sur les Petits poèmes en prose 1967 | 150 |
Quelques remarques sur les Petits poèmes en prose 1968 | 164 |
The new Pléiade edition of Baudelaires complete works | 262 |
An approach to Nerval 1961 | 271 |
Aspects of suggestion in Nerval 1965 | 288 |
Nerval et Richelet 1958 | 304 |
Flaubert et la conscience du réel 1967 | 325 |
Flaubert and the authors of the French Renaissance | 338 |
Flaubert and some painters of his time 1974 | 355 |
Sentiments et sensations chez Flaubert 1974 | 422 |
Other editions - View all
Imagination and Language: Collected Essays on Constant, Baudelaire, Nerval ... Alison Fairlie No preview available - 1984 |
Common terms and phrases
Adolphe Adolphe's already analysis article artist authors background Balzac Baudelaire Baudelaire's becomes Benjamin Constant book Bouvard et Pécuchet Bovary brief chapter Chesneau Claude Pichois climax Constant Constant's constantly critical criticism critics death deliberately delight desire detail detailed different discussed early echo edition Ellénore Ellénore's evocative example experience expression feeling final finally find first Flaubert Fleurs du Mal Frédéric French further general Gérard de Nerval given gives Gustave Flaubert Haschisch hashish human individual interplay ironical L'Éducation sentimentale last later letter letters life literary love Madame Bovary made make material means mind Mme Arnoux moves need Nerval novel once Paradis artificiels particular past patterns Pellerin perhaps personal phrase physical Pichois picture Pléiade poems present problems provide reactions read reading references reflections remarks Rosanette same seen sense show side simply stress suggestive take theme three time undertones version whole woman words works world years