A Rhetoric of Symbolic Identity: An Analysis of Spike Lee's X and Bamboozled

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University Press of America, 2004 - 101 pages
This study explores African American identity through film, drawing from Spike Lee's cinematic production of X (1992) and Bamboozled (2000). The study brings attention to how African American identity is negotiated in communicative interactions. In doing so, the study proposes an alternative rhetorical and cultural approach to the nuances of African American identity.
 

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Contents

Introduction
1
Statement of Research Problem
6
Justification for the Study
7
Justification for the Films
8
Aims of the Study
9
Theoretical Framework and Methodology
11
Cultural Contract Theory of Negotiation
13
Alienation
15
Contract TheoryAnalysis I Bamboozled
52
ReadytoSign Cultural Contract A
53
ReadytoSign Cultural Contract B
58
Contract TheoryAnalysis II X
61
ReadytoSign Cultural Contract A
64
SymbolicLinguistic
65
SymbolicMaterial
66
ReadytoSign Cultural Contract B
67

DoubleConsciousness
17
Hermeneutical Ethos
19
Justification for Multiple Theories
21
Methodology
22
Literature Review
23
Rhetorical Texts Pertaining to the Content of Films
24
Bamboozled
26
Literature Review of Identity
28
Analysis
35
Cultural Psychological Haven
37
Socioeconomic Conditions
39
Complicity of Negative Difference X
43
Cultural Psychological Haven
46
Socioeconomic Conditions
50
Assimilation
69
Cocreated Cultural Contract
73
Analysis Questions
79
Hermeneutical Ethos
82
Alienation
85
Overview
91
Characters and the Contracts
92
Breaching of Cultural Contracts
93
Implications for the Future
94
Glossary
97
References
99
About the Author
Copyright

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About the author (2004)

Gerald A. Powell, Jr. is Assistant Professor in the Department of Communication and Theatre at St. Josephs College, Indiana. He holds a Ph.D. in Rhetoric and Intercultural Communication from Howard University, Washington, D.C.

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