The Philosophy of Friedrich Nietzsche

Front Cover
Bottom of the Hill Publishing, 2012 - 156 pages
The Philosophy of Friedrich Nietzsche and the music (and quasi-music) of Richard Strauss: herein we have our modern substitutes for Shakespeare and the musical glasses. There is no escaping Nietzsche. You may hold him a hissing and a mocking and lift your virtuous skirts as you pass him by, but his roar is in your ears and his blasphemies sink into your mind. He has colored the thought and literature, the speculation and theorizing, the politics and superstition of the time. He reigns as king in the German universities - where, since Luther's day, all the world's most painful thinking has been done - and his echoes tinkle, harshly or faintly, from Chicago to Mesopotamia. His ideas appear in the writings of men as unlike as Roosevelt and Bernard Shaw; even the newspapers are aware of him. He is praised and berated, accepted and denounced, canonized and damned. Pythagoras had no more devout disciples and Spinoza had no more murderous and violent foes. Wherefore it may be a toil of some profit to examine his ideas a bit closely; to differentiate between what he said in his books and what his apostles and interpreters and enemies say or think he said; and in the end, perhaps, to find out what he meant. Friedrich Wilhelm Nietzsche was a 19th-century German philosopher, poet, composer and classical philologist. He wrote critical texts on religion, morality, contemporary culture, philosophy and science, displaying a fondness for metaphor, irony and aphorism.

Other editions - View all

About the author (2012)

H. L. Mencken 1880-1956 H. L. (Henry Louis) Mencken was born in Baltimore, Maryland, on September 12, 1880. He considered Maryland to be his home despite his many years in New York. As a child he attended Professor Friedrich Knapp's Institute, a private school for children of German descent. He completed his secondary education at Baltimore Polytechnic Institute, from which he graduated at the age of 16. Mencken wanted to be a writer but was obligated to work in his father's cigar factory. When his father died suddenly in 1899, Mencken immediately sought a job at the Baltimore Herald. Through he began with no experience in journalism, he quickly learned every job at the newspaper and at age 25 became its editor. Mencken went on to build himself a reputation as one of America's most brilliant writers and literary critics. His basic approach was to question everything and to accept no limits on personal freedom. He attacked organized religion, American cultural and literary standards, and every aspect of American life that he found shallow, ignorant, or false - which was almost everything. From the 1920's until his death, Mencken's sharp wit and penetrating social commentary made him one of the most highly regarded - and fiercely hated - of American social critics. He was later memorialized in the dramatic portrait of the cynical journalist in the play and film Inherit the Wind. Shortly after World War I, Mencken began a project that was to fascinate him for the rest of his life: a study of American language and how it had evolved from British English. In 1919 he published The American Language: A Preliminary Inquiry into the Development of English in the United States. To this and his publisher's surprise, the book sold out quickly; its wit and nonscholarly approach attracted many readers who would not normally buy a book on such a subject. In 1936, a revised and enlarged edition was published, and in 1945 and 1948, supplements were added. The work shows not only how American English differs from British English but how the 300 year American experience shaped American dialect. Thus the book, still considered a classic in its field, is both a linguistic and social history of the United States. Mencken died in his sleep on January 29, 1956. He was interred in Baltimore's Loudon Park Cemetery.

Bibliographic information