Ball State University Forum, Volumes 27-28Ball State University., 1986 |
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Page 65
... images had become almost soporific in the years after Contact . She began , he writes , to distance herself from her locale , her audience . Her images assumed a meaning from former associations , not from the poem itself . H.D.'s poems ...
... images had become almost soporific in the years after Contact . She began , he writes , to distance herself from her locale , her audience . Her images assumed a meaning from former associations , not from the poem itself . H.D.'s poems ...
Page 66
... images that defy our sensory abilities . In " Invective Against Swans " ( 2 : 4 ) , the rain is bronze and the chariots are chilly . In " Infanta Marina ” ( 2 : 4 ) , the rumpling plume of the creature of the evening " came to be ...
... images that defy our sensory abilities . In " Invective Against Swans " ( 2 : 4 ) , the rain is bronze and the chariots are chilly . In " Infanta Marina ” ( 2 : 4 ) , the rumpling plume of the creature of the evening " came to be ...
Page 67
... images are sustained through u and o sounds : gold , through , long , blue , and dull . The banal , that which we do not ordinarily notice , comes alive through these sounds . We feel the intimacy of the poet's contact with the shore ...
... images are sustained through u and o sounds : gold , through , long , blue , and dull . The banal , that which we do not ordinarily notice , comes alive through these sounds . We feel the intimacy of the poet's contact with the shore ...
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