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" She was a brown beauty; that is, her eyes, hair, and eyebrows and eyelashes were dark, her hair curling with rich undulations and waving over her shoulders; but her complexion was as dazzling white as snow in sunshine, except her cheeks which were a bright... "
The New England Magazine - Page 173
1906
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The Edinburgh Review: Or Critical Journal, Volume 99

1854
...shoulders; but her complexion was as dazzling white as snow in sunshine ; except her cheeks, which were a bright red, and her lips, which were of a still deeper...were too large and full, and so they might be for • goddess in marble, but not for a woman whose eyes were fire, whose look was love, whose voice was...
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The History of Henry Esmond, Esq: Colonel in the Service of Her ..., Volume 1

William Makepeace Thackeray - 1852
...shoulders; but her complexion was as dazzling white as snow in sunshine; except her cheeks, which were a bright red, and her lips, which were of a still deeper...goddess in marble, but not for a woman whose eyes were fire, whose look was love, whose FILIA PULCRIOR. 305 voice was the sweetest low song, whose shape...
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The Works of William Makepeace Thackeray, Volume 7

William Makepeace Thackeray - 1852
...shoulders: but her complexion was as dazzling white as snow in sunshine; except her cheeks, which were a bright red, and her lips, which were of a still deeper...goddess in marble, but not for a woman whose eyes were fire, whose look was love, whose voice was the sweetest low song, whose shape was perfect symmetry,...
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The New quarterly review, and digest of current literature, Volume 2

1853
...shoulders ; but her complexion was as dazzling white as snow in sunshine ; except her cheeks, which were a bright red, and her lips, which were of a still deeper...goddess in marble, but not for a woman whose eyes were fire, whose look was love, whose voice was the sweetest low song, whose shape was perfect symmetry,...
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The New Monthly Magazine, Volume 96

1852
...viscountess had already alluded to him a few lines previously, when she spoke of " le Boy (d'icy)." were of a still deeper crimson. Her mouth and chin,...goddess in marble, but not for a woman whose eyes were fire, whose look was love, whose voice was the sweetest low song, whose shape was perfect symmetry,...
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The New Monthly Magazine and Humorist, Volume 96

1852
...alluded to him a few lines previously, when she spoke of " le Roy (d'icy)." * Step-mother, rather. were of a still deeper crimson. Her mouth and chin,...goddess in marble, but not for a woman whose eyes were fire, whose look was love, whose voice was the sweetest low song, whose shape was perfect symmetry,...
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The Eclectic Review, Volume 5; Volume 97

Samuel Greatheed, Daniel Parken, Theophilus Williams, Josiah Conder, Thomas Price, Jonathan Edwards Ryland, Edwin Paxton Hood - 1853
...shoulders; but her complexion was as dazzling white as snow in sunshine; except her cheeks, which were a bright red, and her lips, which were of a still deeper...goddess in marble, but not for a woman whose eyes were fire, whose look was love, whose voice was the sweetest low song, whose shape was perfect symmetry,...
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The history of Henry Esmond, esq., written by himself. (By W.M. Thackeray).

William Makepeace Thackeray - 1858 - 349 pages
...shoulders ; but her complexion was as dazzling white as snow in sunshine ; except her cheeks, which were a bright red, and her lips, which were of a still deeper...chin, they said, were too large and full, and so they BEATRIX. 211 might be for a goddess in marble, but not for a woman whose eyes were fire, whose look...
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The History of Henry Esmond, Esq: A Colonel in the Service of Her Majesty ...

William Makepeace Thackeray - 1858 - 480 pages
...shoulders ; but her complexion was as dazzling white as snow in sunshine ; except her cheeks, which were a bright red, and her lips, which were of a still deeper crimson Her month and chin, they said, were too large and full, and so they might be for a goddess in marble, but...
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The Cornhill Magazine, Volume 2; Volume 76

1897
...eighteenth-century lover's rhapsody, but, as the following passage shows, Thackeray has improved upon his model : 'Her mouth and chin, they said, were too large and...goddess in marble, but not for a woman whose eyes were fire, whose look was love, whose voice was the sweetest love song, whose shape was perfect symmetry,...
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