Chats about Books: Poets and NovelistsScribner, 1883 - 360 pages |
From inside the book
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Page 6
... means free from pedantry . Balzac , however , for the most part , confines his display of erudition or of technical knowledge to the initial portion of his story , and sometimes may justify himself by the necessity of creating a ...
... means free from pedantry . Balzac , however , for the most part , confines his display of erudition or of technical knowledge to the initial portion of his story , and sometimes may justify himself by the necessity of creating a ...
Page 7
... mean to say that she overrates the average culture of her audience ; which is a mistake no less serious than for an actor to pitch the voice too low . Another familiar criticism of Balzac is levelled at his passion for analysis . Few ...
... mean to say that she overrates the average culture of her audience ; which is a mistake no less serious than for an actor to pitch the voice too low . Another familiar criticism of Balzac is levelled at his passion for analysis . Few ...
Page 20
... mean- while calculation and sustaining enthusiasm , may enhance the difficulty of the feat , but difficulty is a spur and not a wall to genius . It is clear , moreover , that a drama is not an episode ; that a genuine unity of action ...
... mean- while calculation and sustaining enthusiasm , may enhance the difficulty of the feat , but difficulty is a spur and not a wall to genius . It is clear , moreover , that a drama is not an episode ; that a genuine unity of action ...
Page 21
... means electrified ; attention is secured , but not rap- port . It is otherwise in Hugo's drama . The action covers several weeks , and the scene is often shifted . We are made to see the budding heart of Blanche interpret- Victor Hugo . 21.
... means electrified ; attention is secured , but not rap- port . It is otherwise in Hugo's drama . The action covers several weeks , and the scene is often shifted . We are made to see the budding heart of Blanche interpret- Victor Hugo . 21.
Page 23
... means finical , reproduces more faithfully the structure and idiom of the mother tongue . Neither does the influence of a court account for the persistent tendencies of two centuries . Undoubtedly that influence was profound . Art ...
... means finical , reproduces more faithfully the structure and idiom of the mother tongue . Neither does the influence of a court account for the persistent tendencies of two centuries . Undoubtedly that influence was profound . Art ...
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Common terms and phrases
æsthetic American artist Balzac beauty Bret Bret Harte Brynhild Buddha cæsura character charm crown Daniel Deronda death drama dream dwell earth Endymion England English epic Erechtheus eyes fact faith Ferroll France French George Eliot Greek hand hath Hawthorne's heart Hugo's human Illyria instinct James king L'Assommoir lady less literary living Longfellow's Lord Lord Beaconsfield lyric Mary Beaton Mary Stuart master ment Méraut mind Nana narrative nature Neuchatel never Nibelungen novel novelist once Paris passion perhaps persons play poem poet poet's poetry portrayed Praxithea present Prince Queen Racine reader romantic Ruy Blas scarcely scene second empire seems sentiment Sigurd social society song soul spirit story sweet Swinburne sympathy tender Thackeray thee theme thine things thou thought tion tragedy truth verse Victor Hugo Völsung Völsunga Saga volume woman women word writer young Zola Zola's
Popular passages
Page 186 - All was ended now, the hope, and the fear, and the sorrow, All the aching of heart, the restless, unsatisfied longing, All the dull, deep pain, and constant anguish of patience ! And, as she pressed once more the lifeless head to her bosom, Meekly she bowed her own, and murmured,
Page 112 - All is best, though we oft doubt, What the unsearchable dispose Of highest wisdom brings about, And ever best found in the close.
Page 324 - No need hath such to live as ye name life ; That which began in him when he began Is finished: he hath wrought the purpose through Of what did make him Man. Never shall yearnings torture him, nor sins Stain him, nor ache of earthly joys and woes Invade his safe eternal peace; nor deaths And lives recur. He goes Unto NIRVANA. He is one with life Yet lives not. He is blest, ceasing to be. OM, MANI PADME, OM! the Dewdrop slips Into the shining sea ! This is the doctrine of the KARMA.
Page 104 - Retiring from the popular noise, I seek This unfrequented place to find some ease, Ease to the body some, none to the mind From restless thoughts, that, like a deadly swarm Of hornets arm'd, no sooner found alone, But rush upon me thronging, and present Times past, what once
Page 111 - Come, come, no time for lamentation now, Nor much more cause. Samson hath quit himself Like Samson, and heroicly hath finished A life heroic, on his enemies Fully revenged ; hath left them years of mourning...
Page 315 - The victim's bonds, none staying him, so great His presence was. Then, craving leave, he spake Of life, which all can take but none can give, Life, which all creatures love and strive to keep, Wonderful, dear, and pleasant unto each, Even to the meanest; yea, a boon to all Where pity is, for pity makes the world Soft to the weak and noble for the strong.
Page 105 - Ask for this great deliverer now, and find him Eyeless in Gaza, at the mill with slaves, Himself in bonds under Philistian yoke.
Page 346 - In mathematics he was greater Than Tycho Brahe or Erra Pater ; For he, by geometric scale, Could take the size of pots of ale ; Resolve by sines and tangents straight, If bread or butter wanted weight ; And wisely tell what hour o' th' day The clock does strike by algebra.
Page 184 - Full of hope, and yet of heart-break, Full of all the tender pathos Of the Here and the Hereafter;— Stay and read this rude inscription, Read this Song of Hiawatha!
Page 310 - The veil is rent Which blinded me! I am as all these men Who cry upon their gods and are not heard, Or are not heeded — yet there must be aid! For them and me and all there must be help! Perchance the gods have need of help themselves, Being so feeble that when sad lips cry They cannot save!