ELIZABETH BARRETT BROWNING THE DESERTED GARDEN [1838.] I MIND me in the days departed, [1806-1861] The beds and walks were vanished quite; I called the place my wilderness, The trees were interwoven wild, Adventurous joy it was for me! Old garden rose-trees hedged it in, Long years ago it might befall, When all the garden flowers were trim, Some lady, stately overmuch, And these, to make a diadem, She often may have plucked and twined, That few would look at them. Oh, little thought that lady proud, And silk was changed for shroud! Nor thought that gardener, (full of scorns To me upon my low moss seat, It did not move my grief to see The blither place for me! Friends, blame me not! a narrow ken We feel the gladness then. And gladdest hours for me did glide Nor he nor I did e'er incline To make my hermit-home complete, And so, I thought, my likeness grew For oft I read within my nook And then I shut the book. If I shut this wherein I write I hear no more the wind athwart My childhood from my life is parted, The garden is deserted. Another thrush may there rehearse Do sing a sadder verse. Ah me, ah me! when erst I lay And still I laughed, and did not fear I knew the time would pass away, The time is past; and now that grows, As well as the white rose, When graver, meeker thoughts are given, And I have learnt to lift my face, Reminded how earth's greenest place The colour draws from heaven, It something saith for earthly pain, But more for Heavenly promise free, That I who was, would shrink to be That happy child again. CONSOLATION [1838.] ALL are not taken; there are left behind And if, before those sepulchres unmoving Goes bleating up the moors in weary dearth) Crying, 'Where are ye, O my loved and loving?' I know a voice would sound, 'Daughter, I In everlasting watch and moveless woe Till itself crumble to the dust beneath. Touch it; the marble eyelids are not wet: If it could weep, it could arise and go. THE CRY OF THE CHILDREN Do ye hear the children weeping, O my brothers, Ere the sorrow comes with years? They are leaning their young heads against their mothers, And that cannot stop their tears. The young lambs are bleating in the meadows. The young birds are chirping in the nest, The young fawns are playing with the shadows, The young flowers are blowing toward the west But the young, young children, O my brothers, 'They are weeping bitterly! They are weeping in the playtime of the others, In the country of the free. Do you question the young children in the sorrow Why their tears are falling so? The old man may weep for his to-morrow Which is lost in Long Ago; The old tree is leafless in the forest, The old year is ending in the frost, The old wound, if stricken, is the sorest, The old hope is hardest to be lost: But the young, young children, O my brothers, Do you ask them why they stand Weeping sore before the bosoms of their mothers, In our happy Fatherland? They look up with their pale and sunken faces, And their looks are sad to see, For the man's hoary anguish draws and "True," say the children, "it may happen That we die before our time: Little Alice died last year, her grave is shapen Like a snowball, in the rime. We looked into the pit prepared to take her: Was no room for any work in the close clay! From the sleep wherein she lieth none will wake her, Crying, 'Get up, little Alice! it is day.' If you listen by that grave, in sun and shower, With your ear down, little Alice never cries; Could we see her face, be sure we should not know her, For the smile has time for growing in her eyes: And merry go her moments, lulled and stilled in The shroud by the kirk-chime. It is good when it happens," say the children, "That we die before our time." Alas, alas, the children! they are seeking Death in life, as best to have: They are binding up their hearts away from breaking, With a cerement from the grave. Go out, children, from the mine and from the city, Sing out, children, as the little thrushes do; Pluck your handfuls of the meadow-cowslips pretty. Laugh aloud, to feel your fingers let them through! But they answer, "Are your cowslips of the meadows Like our weeds anear the mine? Leave us quiet in the dark of the coalshadows, From your pleasures fair and fine! "For oh," say the children, "we are weary, And we cannot run or leap; If we cared for any meadows, it were merely To drop down in them and sleep. Our knees tremble sorely in the stooping, We fall upon our faces, trying to go; And, underneath our heavy eyelids drooping The reddest flower would look as pale as snow. For, all day, we drag our burden tiring "For all day the wheels are droning, turning; Their wind comes in our faces, Till our hearts turn, our heads with pulses burning, And the walls turn in their places: Turns the sky in the high window, blank and reeling, Turns the long light that drops adown the wall, Turn the black flies that crawl along the ceiling: All are turning, all the day, and we with all. And all day the iron wheels are droning, And sometimes we could pray, 'O ye wheels' (breaking out in a mad moaning), 'Stop! be silent for to-day!'" Ay, be silent! Let them hear each other breathing For a moment, mouth to mouth! Let them touch each other's hands, in a fresh wreathing Of their tender human youth! Let them feel that this cold metallic motion Is not all the life God fashions or reveals : Let them prove their living souls against the notion That they live in you, or under you, O wheels! Still, all day, the iron wheels go onward, Grinding life down from its mark; And the children's souls, which God is calling sunward, Spin on blindly in the dark. Now tell the poor young children, O my brothers. To look up to Him and pray; So the blessèd One who blesseth all the others, Will bless them another day. They answer, "Who is God that He should hear us, While the rushing of the iron wheels is stirred? When we sob aloud, the human creatures near us Pass by, hearing not, or answer not a word. And we hear not (for the wheels in their resounding) Strangers speaking at the door: Is it likely God, with angels singing round Him, Hears our weeping any more? "Two words, indeed, of praying we remember, And at midnight's hour of harm, 'Our Father,' looking upward in the chamber, We say softly for a charm. We know no other words except 'Our Father,' And we think that, in some pause of angels' song, God may pluck them with the silence sweet to gather, And hold both within His right hand which is strong. 'Our Father! If He heard us, He would surely (For they call Him good and mild) Answer, smiling down the steep world very purely, Come and rest with me, my child.' "But, no!" say the children, weeping faster, "He is speechless as a stone: And they tell us, of His image is the master Who commands us to work on. Go to!" say the children,-"up in Heaven, Dark, wheel-like, turning clouds are all we find. Do not mock us; grief has made us unbelieving: We look up for God, but tears have made us blind." Do you hear the children weeping and disproving, O my brothers, what ye preach? For God's possible is taught by His world's loving, And the children doubt of each. And well may the children weep before you! They are weary ere they run; They have never seen the sunshine, nor the glory Which is brighter than the sun. They know the grief of man, without its wisdom; They sink in man's despair, without its calm; Are slaves, without the liberty in Christdom, Are martyrs, by the pang without the palm: Are worn as if with age, yet unretrievingly The harvest of its memories cannot reap, Are orphans of the earthly love and heavenly. Let them weep! let them weep! They look up with their pale and sunken faces, And their look is dread to see, For they mind you of their angels in high places, With eyes turned on Deity. "How long," they say, "how long, O cruel nation, Will you stand, to move the world, on a child's heart, Stifle down with a mailèd heel its palpitation, And tread onward to your throne amid the mart? Our blood splashes upward, O gold-heaper, And your purple shows your path! But the child's sob in the silence curses deeper Than the strong man in his wrath." SONNETS FROM THE PORTUGUESE [Privately printed 1847. Published 1850.] I I THOUGHT Once how Theocritus had sung Of the sweet years, the dear and wishedfor years, Who each one in a gracious hand appears A shadow across me. Straightway I was 'ware, So weeping, how a mystic Shape did move Behind me, and drew me backward by the Unlike are we, unlike, O princely Heart! A guest for queens to social pageantries, Of chief musician. What hast thou to do With looking from the lattice-lights at me, A poor, tired, wandering singer, singing through The dark, and leaning up a cypress tree? The chrism is on thine head, - on mine, the dew, And Death must dig the level where these agree. VIII What can I give thee back, O liberal And princely giver, who hast brought the gold And purple of thine heart, unstained, untold, And laid them on the outside of the wall The colours from my life, and left so dead XIV If thou must love me, let it be for nought Except for love's sake only. Do not say "I love her for her smile - her look- her way Of speaking gently,--for a trick of thought That falls in well with mine, and certes brought A sense of pleasant ease on such a day"For these things in themselves, Beloved, may Be changed, or change for thee, and love, so wrought, May be unwrought so. Neither love me for Thine own dear pity's wiping my cheeks dry, A creature might forget to weep, who bore Thy comfort long, and lose thy love there by! But love me for love's sake, that evermore Thou mayst love on, through love's eternity. XVI And yet, because thou overcomest so, Because thou art more noble and like a king, Thou canst prevail against my fears and fling Thy purple round me, till my heart shall grow Too close against thine heart henceforth to know How it shook when alone. Why, conquering May prove as lordly and complete a thing In lifting upward, as in crushing low! And as a vanquished soldier yields his sword To one who lifts him from the bloody earth, I rise above abasement at the word. |