Papers on literature and art, Part 1 |
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Page 46
... touch , is in nowise profaned ; and the most elevated , as well as the most consoling view is taken with the confidence of one who had seen into the very depths of Hall's nature . There is no pity , no flattery - no ill - advised ...
... touch , is in nowise profaned ; and the most elevated , as well as the most consoling view is taken with the confidence of one who had seen into the very depths of Hall's nature . There is no pity , no flattery - no ill - advised ...
Page 54
... touch upon a variety of subjects with that lightness , grace , and rapidity , which constantly excite and never exhaust the attention , the love for sparkling sallies , the playfulness and variety , which make a man brilliant and ...
... touch upon a variety of subjects with that lightness , grace , and rapidity , which constantly excite and never exhaust the attention , the love for sparkling sallies , the playfulness and variety , which make a man brilliant and ...
Page 58
... touch so masterly and vigorous , with such tact at knowing where to stop , that we must look for the faults in order to see them . There is little , if any , origin . ality of thought ; no profound meaning ; no esoteric charm , which ...
... touch so masterly and vigorous , with such tact at knowing where to stop , that we must look for the faults in order to see them . There is little , if any , origin . ality of thought ; no profound meaning ; no esoteric charm , which ...
Page 61
... touching than despair , If ' twas reality he felt ? " or , " Fair as some classic dome , Robust and richly graced , Your Kemble's spirit was the home Of genius and of taste.- Taste like the silent dial's power , That , when supernal ...
... touching than despair , If ' twas reality he felt ? " or , " Fair as some classic dome , Robust and richly graced , Your Kemble's spirit was the home Of genius and of taste.- Taste like the silent dial's power , That , when supernal ...
Page 66
... touch and truth of colouring . Scott's faculties being nicely balanced , never disturbed one another ; we per- ceive this even more distinctly in his poetry than in his prose , perhaps because less excited while reading it . I have said ...
... touch and truth of colouring . Scott's faculties being nicely balanced , never disturbed one another ; we per- ceive this even more distinctly in his poetry than in his prose , perhaps because less excited while reading it . I have said ...
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Common terms and phrases
actor admirable amid ANACREON Artevelde ascer asso Athelwold beauty beneath breast breath bright brother calm character clouds Coleridge Crabbe critic Dædalus deep divine drama earth ELENA essay ESSAY ON CRITICS expression faith fancy father feel felt flowers genius George give grace Hamlet happy hear heart heaven hope hour human ideal immortal intellect interest justice king LADY CARLISLE less light live look Lord Herbert Mackintosh Madame de Staël melody Metamora Milton mind misanthropy Muse nature never noble o'er passion perfect Philip Van Artevelde play poems poet poetic poetry prose pure refinement rience Roman Actor scene seems Shakspeare Shelley Sir James Sir James Mackintosh sonnets soul Southey speak spirit stars Strafford sweet thee thine things thou thought tone touch true truth verse voice whole words Wordsworth write youth
Popular passages
Page 71 - What thou art we know not ; What is most like thee '! From rainbow clouds there flow not Drops so bright to see, As from, thy presence showers a rain of melody.
Page 35 - Thy soul was like a Star, and dwelt apart : Thou hadst a voice whose sound was like the sea : Pure as the naked heavens, majestic, free, So didst thou travel on life's common way, In cheerful godliness ; and yet thy heart The lowliest duties on herself did lay.
Page 37 - I was confirmed in this opinion, that he who would not be frustrate of his hope to write well hereafter in laudable things, ought himself to be a true poem...
Page 70 - HAIL to thee, blithe spirit ! Bird thou never wert, That from heaven, or near it, Pourest thy full heart In profuse strains of unpremeditated art. Higher still and higher, From the earth thou springest, Like a cloud of fire; The blue deep thou wingest, And singing still dost soar, and soaring ever singest.
Page 73 - Midst others of less note, came one frail Form. A phantom among men; companionless As the last cloud of an expiring storm Whose thunder is its knell...
Page 87 - A grief without a pang, void, dark, and drear, A stifled, drowsy, unimpassioned grief, Which finds no natural outlet, no relief, In word, or sigh, or tear O Lady!
Page 74 - Round whose rude shaft dark ivy-tresses grew Yet dripping with the forest's noonday dew, Vibrated, as the ever-beating heart Shook the weak hand that grasped it; of that crew He came the last, neglected and apart; A herd-abandoned deer struck by the hunter's dart.
Page 74 - A love in desolation masked— a Power Girt round with weakness — it can scarce uplift The weight of the superincumbent hour ; It is a dying lamp, a falling shower, A breaking billow ; — even whilst we speak Is it not broken ? On the withering flower The killing sun smiles brightly ; on a cheek The life can burn in blood, even while the heart may break.
Page 88 - To lift the smothering weight from off my breast? It were a vain endeavour, Though I should gaze for ever On that green light that lingers in the west: I may not hope from outward forms to win The passion and the life, whose fountains are within.
Page 75 - The wind, the tempest roaring high, The tumult of a Tropic sky, Might well be dangerous food For him, a Youth to whom was given So much of earth, so much of Heaven, And such impetuous blood.