Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 57Gale Research Company, 1984 |
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Page 118
... Falstaff's hands , a ludicrous exercise in eu- phuism . And that is precisely Falstaff's point . Falstaff's rhetoric picks up some dignity only when he turns to his own praises , and then changes again as he breaks off and addresses Hal ...
... Falstaff's hands , a ludicrous exercise in eu- phuism . And that is precisely Falstaff's point . Falstaff's rhetoric picks up some dignity only when he turns to his own praises , and then changes again as he breaks off and addresses Hal ...
Page 168
... Falstaff's Protestantism oc- casionally mocks central tenets or practices of Reforma- tion Protestants . Falstaff's Reformation Protestantism is implied by his pronouncement that " Tis no sin for a man to labor in his vocation " ( 1.2 ...
... Falstaff's Protestantism oc- casionally mocks central tenets or practices of Reforma- tion Protestants . Falstaff's Reformation Protestantism is implied by his pronouncement that " Tis no sin for a man to labor in his vocation " ( 1.2 ...
Page 169
... Falstaff's great need of reformation for salvation . Falstaff perjures himself by claiming his lies about the Gadshill robbery are true , " or I am a Jew else , an Hebrew Jew " ( 2.4.177 ) . Falstaff says that Bardolph's red nose ...
... Falstaff's great need of reformation for salvation . Falstaff perjures himself by claiming his lies about the Gadshill robbery are true , " or I am a Jew else , an Hebrew Jew " ( 2.4.177 ) . Falstaff says that Bardolph's red nose ...
Contents
Introduction | 1 |
History and Philosophy | 31 |
Representation and Identity | 40 |
Copyright | |
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action actor androgyny appears Arden argues audience Banquo becomes blood body Celia character comedy comic critics culture death discourse disguise dramatic Duke Duncan early modern Elizabethan England English essay evil Falstaff fantasy father fear female Ganymede gender genre Guarini Hal's Henry Henry IV plays Henry's Hermione Hermione's Hotspur human ideology imagination Jaques King Lady Macbeth Lady Macduff language Leontes Leontes's literary London Macduff Machiavelli Malcolm male marriage masculine means moral murder narrative nature Orlando Orpheus Ovid Ovid's pastoral Paulina Perdita performance performative utterance play play's political Polixenes present Prince Hal Pygmalion queen reading reformation Renaissance Richard Richard II role romance Rosalind Ross scene seems sexual Shake Shakespeare social speak speare's speech stage statue Stephen Orgel story suggests superego theater theatrical thee thou tion tragedy tragicomedy Univ University Press violence wife Winter's Tale witches woman women words wrestling York