Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 57Gale Research Company, 1984 |
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Page 152
... Prince . Thou speak'st as if I would deny my name . Hotspur . My name is Harry Percy . Prince . Why then I see A very valiant rebel of the name . I am the Prince of Wales . ( 5.3.59-63 ) Seen on the stage , Hal is quite literally now in ...
... Prince . Thou speak'st as if I would deny my name . Hotspur . My name is Harry Percy . Prince . Why then I see A very valiant rebel of the name . I am the Prince of Wales . ( 5.3.59-63 ) Seen on the stage , Hal is quite literally now in ...
Page 160
... Prince Hal : The Sovereign Inheri- tor in 2 Henry IV " in Renaissance Drama , Vol . 21 , 1990 , pp . 225-42 . [ In the following essay , Crewe disputes critical thinking that denies substantive reformation in Prince Hal's character ...
... Prince Hal : The Sovereign Inheri- tor in 2 Henry IV " in Renaissance Drama , Vol . 21 , 1990 , pp . 225-42 . [ In the following essay , Crewe disputes critical thinking that denies substantive reformation in Prince Hal's character ...
Page 237
... prince cannot maintain his power by relying on the virtù of another ; like the goddess , the state belongs to the man who wins her by force . It is for this reason Machiavelli advises that every prince should be his own best general and ...
... prince cannot maintain his power by relying on the virtù of another ; like the goddess , the state belongs to the man who wins her by force . It is for this reason Machiavelli advises that every prince should be his own best general and ...
Contents
Introduction | 1 |
History and Philosophy | 31 |
Representation and Identity | 40 |
Copyright | |
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action actor androgyny appears Arden argues audience Banquo becomes blood body Celia character comedy comic critics culture death discourse disguise dramatic Duke Duncan early modern Elizabethan England English essay evil Falstaff fantasy father fear female Ganymede gender genre Guarini Hal's Henry Henry IV plays Henry's Hermione Hermione's Hotspur human ideology imagination Jaques King Lady Macbeth Lady Macduff language Leontes Leontes's literary London Macduff Machiavelli Malcolm male marriage masculine means moral murder narrative nature Orlando Orpheus Ovid Ovid's pastoral Paulina Perdita performance performative utterance play play's political Polixenes present Prince Hal Pygmalion queen reading reformation Renaissance Richard Richard II role romance Rosalind Ross scene seems sexual Shake Shakespeare social speak speare's speech stage statue Stephen Orgel story suggests superego theater theatrical thee thou tion tragedy tragicomedy Univ University Press violence wife Winter's Tale witches woman women words wrestling York