Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 57Gale Research Company, 1984 |
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Page 26
... desire neither heterosexual nor homoerotic , but both hetero- sexual and homoerotic . As much as she displays her desire for Orlando , she also enjoys her position as male object of Phebe's desire and , more importantly , of Orlando's ...
... desire neither heterosexual nor homoerotic , but both hetero- sexual and homoerotic . As much as she displays her desire for Orlando , she also enjoys her position as male object of Phebe's desire and , more importantly , of Orlando's ...
Page 36
... desire ; it is , as Northrop Frye says , not a world that judges moral worth , but one that wants to see the unity of desire with desired . " Its opposite is not the villainous but the absurd " " and the absurd is ( in the world of desire ) ...
... desire ; it is , as Northrop Frye says , not a world that judges moral worth , but one that wants to see the unity of desire with desired . " Its opposite is not the villainous but the absurd " " and the absurd is ( in the world of desire ) ...
Page 37
... desire - he loves the world of the heart's desire without desiring it , and so he leaves it , and leaving it , he blesses it : You to your former honor I bequeath ; your patience and your virtue well deserve it . You to a love that your ...
... desire - he loves the world of the heart's desire without desiring it , and so he leaves it , and leaving it , he blesses it : You to your former honor I bequeath ; your patience and your virtue well deserve it . You to a love that your ...
Contents
Introduction | 1 |
History and Philosophy | 31 |
Representation and Identity | 40 |
Copyright | |
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action actor androgyny appears Arden argues audience Banquo becomes blood body Celia character comedy comic critics culture death discourse disguise dramatic Duke Duncan early modern Elizabethan England English essay evil Falstaff fantasy father fear female Ganymede gender genre Guarini Hal's Henry Henry IV plays Henry's Hermione Hermione's Hotspur human ideology imagination Jaques King Lady Macbeth Lady Macduff language Leontes Leontes's literary London Macduff Machiavelli Malcolm male marriage masculine means moral murder narrative nature Orlando Orpheus Ovid Ovid's pastoral Paulina Perdita performance performative utterance play play's political Polixenes present Prince Hal Pygmalion queen reading reformation Renaissance Richard Richard II role romance Rosalind Ross scene seems sexual Shake Shakespeare social speak speare's speech stage statue Stephen Orgel story suggests superego theater theatrical thee thou tion tragedy tragicomedy Univ University Press violence wife Winter's Tale witches woman women words wrestling York