Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 57Gale Research Company, 1984 |
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Page 5
... language . He tells Celia " She [ Rosalind ] is too subtile for thee " ( 1. 73 ) and orders his daughter to silence , " then open not thy lips " ( 1. 78 ) . These women's language skills carry little weight in the Duke's court . Yet in ...
... language . He tells Celia " She [ Rosalind ] is too subtile for thee " ( 1. 73 ) and orders his daughter to silence , " then open not thy lips " ( 1. 78 ) . These women's language skills carry little weight in the Duke's court . Yet in ...
Page 293
... language of The Winter's Tale , nor has there been any consideration of the thematic importance of language in the play . " See " The Winter's Tale : The Triumph of Speech , " Studies in English Literature , 15 ( 1975 ) , 321. Critics ...
... language of The Winter's Tale , nor has there been any consideration of the thematic importance of language in the play . " See " The Winter's Tale : The Triumph of Speech , " Studies in English Literature , 15 ( 1975 ) , 321. Critics ...
Page 330
... language's action from intention becomes vividly clear when the scene ends . For this self - reflexively theatrical trial produces further unintended effects . We hear that Mamillius , " with mere conceit and fear / Of the Queen's speed ...
... language's action from intention becomes vividly clear when the scene ends . For this self - reflexively theatrical trial produces further unintended effects . We hear that Mamillius , " with mere conceit and fear / Of the Queen's speed ...
Contents
Introduction | 1 |
History and Philosophy | 31 |
Representation and Identity | 40 |
Copyright | |
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action actor androgyny appears Arden argues audience Banquo becomes blood body Celia character comedy comic critics culture death discourse disguise dramatic Duke Duncan early modern Elizabethan England English essay evil Falstaff fantasy father fear female Ganymede gender genre Guarini Hal's Henry Henry IV plays Henry's Hermione Hermione's Hotspur human ideology imagination Jaques King Lady Macbeth Lady Macduff language Leontes Leontes's literary London Macduff Machiavelli Malcolm male marriage masculine means moral murder narrative nature Orlando Orpheus Ovid Ovid's pastoral Paulina Perdita performance performative utterance play play's political Polixenes present Prince Hal Pygmalion queen reading reformation Renaissance Richard Richard II role romance Rosalind Ross scene seems sexual Shake Shakespeare social speak speare's speech stage statue Stephen Orgel story suggests superego theater theatrical thee thou tion tragedy tragicomedy Univ University Press violence wife Winter's Tale witches woman women words wrestling York