Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 57Gale Research Company, 1984 |
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Page 58
... represented a character in the grip of a powerful emotion , surely our claim is compelling evidence that we are not illuded and have not been " trompés sans interruption " ? ( We may say that a Van Gogh canvas represents sunflowers ...
... represented a character in the grip of a powerful emotion , surely our claim is compelling evidence that we are not illuded and have not been " trompés sans interruption " ? ( We may say that a Van Gogh canvas represents sunflowers ...
Page 102
... represents the id . E. M. W. Tillyard lists several such readings : Satan's assistant since the Fall , youthful vitality , incorrigibility , the fool , the adventurer , the Vice , the epitome of the Seven Deadly Sins , the lord of ...
... represents the id . E. M. W. Tillyard lists several such readings : Satan's assistant since the Fall , youthful vitality , incorrigibility , the fool , the adventurer , the Vice , the epitome of the Seven Deadly Sins , the lord of ...
Page 274
... represent his grasping for control ( attending more closely than the others to the usurper's crucial purposes ) ... represents not his sinister shadow , but the ruination of his better self . No critic has fully considered Banquo as ...
... represent his grasping for control ( attending more closely than the others to the usurper's crucial purposes ) ... represents not his sinister shadow , but the ruination of his better self . No critic has fully considered Banquo as ...
Contents
Introduction | 1 |
History and Philosophy | 31 |
Representation and Identity | 40 |
Copyright | |
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action actor androgyny appears Arden argues audience Banquo becomes blood body Celia character comedy comic critics culture death discourse disguise dramatic Duke Duncan early modern Elizabethan England English essay evil Falstaff fantasy father fear female Ganymede gender genre Guarini Hal's Henry Henry IV plays Henry's Hermione Hermione's Hotspur human ideology imagination Jaques King Lady Macbeth Lady Macduff language Leontes Leontes's literary London Macduff Machiavelli Malcolm male marriage masculine means moral murder narrative nature Orlando Orpheus Ovid Ovid's pastoral Paulina Perdita performance performative utterance play play's political Polixenes present Prince Hal Pygmalion queen reading reformation Renaissance Richard Richard II role romance Rosalind Ross scene seems sexual Shake Shakespeare social speak speare's speech stage statue Stephen Orgel story suggests superego theater theatrical thee thou tion tragedy tragicomedy Univ University Press violence wife Winter's Tale witches woman women words wrestling York