Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 57Gale Research Company, 1984 |
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Page 116
... scene in Henry IV , Part I , noting that this scene is crucial to Hal's development as a hero . ] The great tavern scene of I Henry IV ( II.iv ) is the longest of the play and the most elaborate , ranging over five hundred lines from ...
... scene in Henry IV , Part I , noting that this scene is crucial to Hal's development as a hero . ] The great tavern scene of I Henry IV ( II.iv ) is the longest of the play and the most elaborate , ranging over five hundred lines from ...
Page 264
... scene ( 3.1 and 3.4 ) ; and in the scene in which Malcolm tests Macduff's loyalty ( 4.3 ) . In all of these scenes , what is at issue is a definition of human nature . ( Nature and derivatives appear 27 times ; and kind , with similar ...
... scene ( 3.1 and 3.4 ) ; and in the scene in which Malcolm tests Macduff's loyalty ( 4.3 ) . In all of these scenes , what is at issue is a definition of human nature . ( Nature and derivatives appear 27 times ; and kind , with similar ...
Page 368
... scene iii . By William Hamilton . Leontes , Polixenes , Florizel , Perdita , Camillo , Paulina , Lords , Attendants , and Hermione . triumphantly moved from Ovid's key of myth into his own of drama . . . . As the preserved Hermione ...
... scene iii . By William Hamilton . Leontes , Polixenes , Florizel , Perdita , Camillo , Paulina , Lords , Attendants , and Hermione . triumphantly moved from Ovid's key of myth into his own of drama . . . . As the preserved Hermione ...
Contents
Introduction | 1 |
History and Philosophy | 31 |
Representation and Identity | 40 |
Copyright | |
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action actor androgyny appears Arden argues audience Banquo becomes blood body Celia character comedy comic critics culture death discourse disguise dramatic Duke Duncan early modern Elizabethan England English essay evil Falstaff fantasy father fear female Ganymede gender genre Guarini Hal's Henry Henry IV plays Henry's Hermione Hermione's Hotspur human ideology imagination Jaques King Lady Macbeth Lady Macduff language Leontes Leontes's literary London Macduff Machiavelli Malcolm male marriage masculine means moral murder narrative nature Orlando Orpheus Ovid Ovid's pastoral Paulina Perdita performance performative utterance play play's political Polixenes present Prince Hal Pygmalion queen reading reformation Renaissance Richard Richard II role romance Rosalind Ross scene seems sexual Shake Shakespeare social speak speare's speech stage statue Stephen Orgel story suggests superego theater theatrical thee thou tion tragedy tragicomedy Univ University Press violence wife Winter's Tale witches woman women words wrestling York