Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 57Gale Research Company, 1984 |
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Page 41
... true feelings and nature , a fact which clarifies many of the play's nuances . ] The physical disguise of Rosalind as the male " Ganymede " is one of the most discussed features of Shakespeare's As You Like It . ' Most commentary ...
... true feelings and nature , a fact which clarifies many of the play's nuances . ] The physical disguise of Rosalind as the male " Ganymede " is one of the most discussed features of Shakespeare's As You Like It . ' Most commentary ...
Page 42
... true feelings about Orlando , Oliver says that he has tried " by underhand means " ( I.i.135 ) to discourage his brother from wrestling Charles . He lies about Orlando's character , disguising the youth's true good nature in a shroud of ...
... true feelings about Orlando , Oliver says that he has tried " by underhand means " ( I.i.135 ) to discourage his brother from wrestling Charles . He lies about Orlando's character , disguising the youth's true good nature in a shroud of ...
Page 133
... true amphibian , but merely a visiting swim- mer . For Thomas Van Laan , for example , only Falstaff can be allowed the fluidity , the liminality , of the actor : Falstaff's is a world for playing roles for pleasure , as many as ...
... true amphibian , but merely a visiting swim- mer . For Thomas Van Laan , for example , only Falstaff can be allowed the fluidity , the liminality , of the actor : Falstaff's is a world for playing roles for pleasure , as many as ...
Contents
Introduction | 1 |
History and Philosophy | 31 |
Representation and Identity | 40 |
Copyright | |
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action actor androgyny appears Arden argues audience Banquo becomes blood body Celia character comedy comic critics culture death discourse disguise dramatic Duke Duncan early modern Elizabethan England English essay evil Falstaff fantasy father fear female Ganymede gender genre Guarini Hal's Henry Henry IV plays Henry's Hermione Hermione's Hotspur human ideology imagination Jaques King Lady Macbeth Lady Macduff language Leontes Leontes's literary London Macduff Machiavelli Malcolm male marriage masculine means moral murder narrative nature Orlando Orpheus Ovid Ovid's pastoral Paulina Perdita performance performative utterance play play's political Polixenes present Prince Hal Pygmalion queen reading reformation Renaissance Richard Richard II role romance Rosalind Ross scene seems sexual Shake Shakespeare social speak speare's speech stage statue Stephen Orgel story suggests superego theater theatrical thee thou tion tragedy tragicomedy Univ University Press violence wife Winter's Tale witches woman women words wrestling York