Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 57Gale Research Company, 1984 |
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Page 222
... turn / The leaf to read them " ( 1.4.150-52 ) . But which way are the pages turning , forward or backward ? He seems to mean , " Each day you perform new favors to be recorded , " but his words demand another reading as well : every day ...
... turn / The leaf to read them " ( 1.4.150-52 ) . But which way are the pages turning , forward or backward ? He seems to mean , " Each day you perform new favors to be recorded , " but his words demand another reading as well : every day ...
Page 241
... turn your eyes , you see the earth wet with tears and blood , and the air full of screams , sobs , and sighs " ( lines 157-58 ) . 7. It has long been noted that Machiavelli has a very " Protestant " conception of human nature . See for ...
... turn your eyes , you see the earth wet with tears and blood , and the air full of screams , sobs , and sighs " ( lines 157-58 ) . 7. It has long been noted that Machiavelli has a very " Protestant " conception of human nature . See for ...
Page 320
... turn to suspicion hinges on the power of his wife's speech . Unable to persuade Polixenes to stay , he first expresses annoyance when Hermione is able to do so . Polixenes has just assured his boyhood friend " There is no tongue that ...
... turn to suspicion hinges on the power of his wife's speech . Unable to persuade Polixenes to stay , he first expresses annoyance when Hermione is able to do so . Polixenes has just assured his boyhood friend " There is no tongue that ...
Contents
Introduction | 1 |
History and Philosophy | 31 |
Representation and Identity | 40 |
Copyright | |
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action actor androgyny appears Arden argues audience Banquo becomes blood body Celia character comedy comic critics culture death discourse disguise dramatic Duke Duncan early modern Elizabethan England English essay evil Falstaff fantasy father fear female Ganymede gender genre Guarini Hal's Henry Henry IV plays Henry's Hermione Hermione's Hotspur human ideology imagination Jaques King Lady Macbeth Lady Macduff language Leontes Leontes's literary London Macduff Machiavelli Malcolm male marriage masculine means moral murder narrative nature Orlando Orpheus Ovid Ovid's pastoral Paulina Perdita performance performative utterance play play's political Polixenes present Prince Hal Pygmalion queen reading reformation Renaissance Richard Richard II role romance Rosalind Ross scene seems sexual Shake Shakespeare social speak speare's speech stage statue Stephen Orgel story suggests superego theater theatrical thee thou tion tragedy tragicomedy Univ University Press violence wife Winter's Tale witches woman women words wrestling York