Tennyson: His Art and Relation to Modern LifePutnam, 1894 - 516 pages |
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... D HARVARD UNIVERSITY LIBRARY COPYRIGHT , 1894 BY G. P. PUTNAM'S SONS Electrotyped , Printed , and Bound by The Knickerbocker Press , New York G. P. PUTNAM'S SONS INTRODUCTION CONTENTS 1. Tennyson as an Artist II . His 23488.30.5.
... D HARVARD UNIVERSITY LIBRARY COPYRIGHT , 1894 BY G. P. PUTNAM'S SONS Electrotyped , Printed , and Bound by The Knickerbocker Press , New York G. P. PUTNAM'S SONS INTRODUCTION CONTENTS 1. Tennyson as an Artist II . His 23488.30.5.
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... Artist II . His Relation to Christianity III . His Relation to Social Politics CHAP . I. THE POEMS OF 1830 II . THE POEMS OF 1833 III . THE POEMS OF 1842 IV . THE CLASSICAL AND ROMANTIC POEMS OF 1842 WITH THE LATER CLASSICAL POEMS V ...
... Artist II . His Relation to Christianity III . His Relation to Social Politics CHAP . I. THE POEMS OF 1830 II . THE POEMS OF 1833 III . THE POEMS OF 1842 IV . THE CLASSICAL AND ROMANTIC POEMS OF 1842 WITH THE LATER CLASSICAL POEMS V ...
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... artist , it became a Christian , it became a man . To these three points this Introduction is dedi- cated to his relation to beauty , to his relation to the Christian faith , and to his relation to the movement of hu- manity . The art ...
... artist , it became a Christian , it became a man . To these three points this Introduction is dedi- cated to his relation to beauty , to his relation to the Christian faith , and to his relation to the movement of hu- manity . The art ...
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... Artist . - The first characteristic of Tennyson's art - that is , of his shaping of the beauty which he saw in Nature and Humanity — was simplicity , and this came directly out of his character . The way in which he worked , his choice ...
... Artist . - The first characteristic of Tennyson's art - that is , of his shaping of the beauty which he saw in Nature and Humanity — was simplicity , and this came directly out of his character . The way in which he worked , his choice ...
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... artist can attain . It is true that Tennyson never went down into the obscure and thorny depths of metaphysics and theology ; it is true that he did not at- tempt to express the more dreadful and involved passions of mankind , such as ...
... artist can attain . It is true that Tennyson never went down into the obscure and thorny depths of metaphysics and theology ; it is true that he did not at- tempt to express the more dreadful and involved passions of mankind , such as ...
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Common terms and phrases
allegory ancient Arthur Arthur Hallam artist beauty belong blank verse Byron character classic clear cries death deep dramatic monologue dream earth emotion England English Enoch Arden Enone faith feeling felt fire flowers Galahad Geraint Grail Guinevere happy hear heart Holy Grail human Idylls imagination immortal invented Keats kind King Lady of Shalott Lancelot land landscape light Limours lines living Locksley Hall lover Lucretius mankind marriage Maud Memoriam Merlin mind Moreover Nature ness never night noble painted pass passion picture poem poet poetic poetry Prince Princess question Rizpah romantic round Sea Fairies seems Shelley singing song sorrow soul spirit story sweet tale tender Tennyson things thou thought thro tion Tiresias Tithonus touch true truth Ulysses verse vision Vivien voice whole wild wind woman women Wordsworth wrought youth
Popular passages
Page 387 - The bare black cliff clang'd round him, as he based His feet on juts of slippery crag that rang Sharp-smitten with the dint of armed heels — And on a sudden, lo! the level lake, And the long glories of the winter moon.
Page 101 - Break, break, break, On thy cold gray stones, O Sea! And I would that my tongue could utter The thoughts that arise in me. O well for the fisherman's boy, That he shouts with his sister at play! O well for the sailor lad, That he sings in his boat on the bay! And the stately ships go on To their haven under the hill; But O for the touch of a...
Page 162 - But follow ; let the torrent dance thee down To find him in the valley ; let the wild Lean-headed eagles yelp alone, and leave The monstrous ledges there to slope, and spill Their thousand wreaths of dangling water-smoke, That like a broken purpose waste in air. So waste not thou, but come ; for all the vales Await thee ; azure pillars of the hearth Arise to thee ; the children call, and I Thy shepherd pipe, and sweet is every sound, Sweeter thy voice, but every sound is sweet ; Myriads of rivulets...
Page 409 - HE clasps the crag with crooked hands; Close to the sun in lonely lands, Ring'd with the azure world, he stands. The wrinkled sea beneath him crawls; He watches from his mountain walls, And like a thunderbolt he falls.
Page 127 - We are not now that strength which in old days Moved earth and heaven ; that which we are, we are ; One equal temper of heroic hearts, Made weak by time and fate, but strong in will To strive, to seek, to find, and not to yield.
Page 249 - A shadow flits before me, Not thou, but like to thee: Ah Christ, that it were possible For one short hour to see...
Page 70 - THE poet in a golden clime was born, With golden stars above ; Dower'd with the hate of hate, the scorn of scorn, The love of love.
Page 125 - Vext the dim sea: I am become a name; For always roaming with a hungry heart Much have I seen and known; cities of men And manners, climates, councils, governments, Myself not least, but...
Page 385 - And bore him to a chapel nigh the field, A broken chancel with a broken cross, That stood on a dark strait of barren land. On one side lay the Ocean, and on one Lay a great water, and the moon was full.
Page 306 - In Love, if Love be Love, if Love be ours, Faith and unfaith can ne'er be equal powers : Unfaith in aught is want of faith in all. " It is the little rift within the lute, That by and by will make the music mute, And ever widening slowly silence all.