Tennyson: His Art and Relation to Modern LifePutnam, 1894 - 516 pages |
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... POETRY XII . AYLMER'S FIELD , SEA DREAMS , THE BROOK XIII . THE DRAMATIC MONOLOGUES XIV . SPECULATIVE THEOLOGY XV . THE NATURE - POETRY XVI . THE LATER POEMS INDEX . 341 350 357 370 • 392 412 431 448 469 487 511 TENNYSON HIS ART AND ...
... POETRY XII . AYLMER'S FIELD , SEA DREAMS , THE BROOK XIII . THE DRAMATIC MONOLOGUES XIV . SPECULATIVE THEOLOGY XV . THE NATURE - POETRY XVI . THE LATER POEMS INDEX . 341 350 357 370 • 392 412 431 448 469 487 511 TENNYSON HIS ART AND ...
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... poetry . But his dying hour , though it has left a noble picture on the mind of England , is not the important thing . His life and poetry are the real matter of use and interest , and his death gains its best import from its being the ...
... poetry . But his dying hour , though it has left a noble picture on the mind of England , is not the important thing . His life and poetry are the real matter of use and interest , and his death gains its best import from its being the ...
Page 2
... poetry . For more than sixty years he lived close to the present life of England , as far as he was capable of comprehending and sympathising with its movements ; and he inwove what he felt concerning it into his poetry . For many years ...
... poetry . For more than sixty years he lived close to the present life of England , as far as he was capable of comprehending and sympathising with its movements ; and he inwove what he felt concerning it into his poetry . For many years ...
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... poetry , is part of his art , and gives it part of its power . I have called it self- respecting to distinguish it from the personality of those poets who , like Byron , spread out their personality be- fore us , but whom we cannot ...
... poetry , is part of his art , and gives it part of its power . I have called it self- respecting to distinguish it from the personality of those poets who , like Byron , spread out their personality be- fore us , but whom we cannot ...
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... poet , that is , in one who adds to its moral force the all - subduing power of beauty . This conviction , which cannot belong to a weak poet , but does ( when it is consistent throughout life ) belong to poets whose nature is hewn out ...
... poet , that is , in one who adds to its moral force the all - subduing power of beauty . This conviction , which cannot belong to a weak poet , but does ( when it is consistent throughout life ) belong to poets whose nature is hewn out ...
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Common terms and phrases
allegory ancient Arthur Arthur Hallam artist beauty belong blank verse Byron character classic clear cries death deep dramatic monologue dream earth emotion England English Enoch Arden Enone faith feeling felt fire flowers Galahad Geraint Grail Guinevere happy hear heart Holy Grail human Idylls imagination immortal invented Keats kind King Lady of Shalott Lancelot land landscape light Limours lines living Locksley Hall lover Lucretius mankind marriage Maud Memoriam Merlin mind Moreover Nature ness never night noble painted pass passion picture poem poet poetic poetry Prince Princess question Rizpah romantic round Sea Fairies seems Shelley singing song sorrow soul spirit story sweet tale tender Tennyson things thou thought thro tion Tiresias Tithonus touch true truth Ulysses verse vision Vivien voice whole wild wind woman women Wordsworth wrought youth
Popular passages
Page 387 - The bare black cliff clang'd round him, as he based His feet on juts of slippery crag that rang Sharp-smitten with the dint of armed heels — And on a sudden, lo! the level lake, And the long glories of the winter moon.
Page 101 - Break, break, break, On thy cold gray stones, O Sea! And I would that my tongue could utter The thoughts that arise in me. O well for the fisherman's boy, That he shouts with his sister at play! O well for the sailor lad, That he sings in his boat on the bay! And the stately ships go on To their haven under the hill; But O for the touch of a...
Page 162 - But follow ; let the torrent dance thee down To find him in the valley ; let the wild Lean-headed eagles yelp alone, and leave The monstrous ledges there to slope, and spill Their thousand wreaths of dangling water-smoke, That like a broken purpose waste in air. So waste not thou, but come ; for all the vales Await thee ; azure pillars of the hearth Arise to thee ; the children call, and I Thy shepherd pipe, and sweet is every sound, Sweeter thy voice, but every sound is sweet ; Myriads of rivulets...
Page 409 - HE clasps the crag with crooked hands; Close to the sun in lonely lands, Ring'd with the azure world, he stands. The wrinkled sea beneath him crawls; He watches from his mountain walls, And like a thunderbolt he falls.
Page 127 - We are not now that strength which in old days Moved earth and heaven ; that which we are, we are ; One equal temper of heroic hearts, Made weak by time and fate, but strong in will To strive, to seek, to find, and not to yield.
Page 249 - A shadow flits before me, Not thou, but like to thee: Ah Christ, that it were possible For one short hour to see...
Page 70 - THE poet in a golden clime was born, With golden stars above ; Dower'd with the hate of hate, the scorn of scorn, The love of love.
Page 125 - Vext the dim sea: I am become a name; For always roaming with a hungry heart Much have I seen and known; cities of men And manners, climates, councils, governments, Myself not least, but...
Page 385 - And bore him to a chapel nigh the field, A broken chancel with a broken cross, That stood on a dark strait of barren land. On one side lay the Ocean, and on one Lay a great water, and the moon was full.
Page 306 - In Love, if Love be Love, if Love be ours, Faith and unfaith can ne'er be equal powers : Unfaith in aught is want of faith in all. " It is the little rift within the lute, That by and by will make the music mute, And ever widening slowly silence all.