Movies and Mass CultureMovies and Mass Culture looks at the ways in which American identity shapes and is shaped by motion pictures. Movies serve not only as texts that document who we think we are or were, but they also reflect changes in our self-image, tracing the transformation from one kind of America to another. They assist audiences in negotiating major changes in identity, carrying them across difficult periods of cultural transition so that a more or less coherent national identity again emerges. Films thus help their viewers to span the gaps and fissures that cultural changes cause, allowing passage over any disjointedness that in some way might disrupt our sense of what we believe in as a nation. This volume examines this process, illustrating the ways in which films aided America's transition from an agrarian to an industrial economy; from a nation of producers to one of consumers; and from a community of individuals to a mass society. |
What people are saying - Write a review
Reviews aren't verified, but Google checks for and removes fake content when it's identified
Movies and mass culture
User Review - Not Available - Book VerdictThis collection of previously published pieces looks at ways the American identity shapes and is shaped by the movies and how the American character and ideology is constructed, presented, and ... Read full review
Movies and mass culture
User Review - Not Available - Book VerdictThis collection of previously published pieces looks at ways the American identity shapes and is shaped by the movies and how the American character and ideology is constructed, presented, and ... Read full review
Contents
Introduction | 1 |
D W Griffith and | 25 |
The Carole Lombard in Macys Window | 95 |
The Commodity Form inof | 119 |
The Production Code | 135 |
Notes on Film Noir | 153 |
The Absent Family of Film Noir | 171 |
Postmodernism and Consumer Society | 185 |
Fantasy and Ideology in | 203 |
New U S Black Cinema | 231 |
Black Female Spectators | 247 |
Select Bibliography | 265 |
Contributors | 271 |
Other editions - View all
Common terms and phrases
advertising American appear associated audience become Bette Davis black female body called Carole Lombard changes character Charles cinema Code commodity consumer critical Crowd culture Deal desire director dominant early economy effect experience expression fact fantasy film noir filmmakers final force gaze Griffith hero Hollywood identity ideology important individual industry interest John kind late light living look major mass material means moral motion picture movement narrative never noted object past period play political position possible present Press production progressive reform relations relationship represented response scene screen seems seen sense sexual social society spectator stars story Street studio style suggests theme things tradition turn University values Warner Bros woman women York young