Andrew Lytle's Fiction: a Traditional ViewStanford University, 1972 - 630 pages |
From inside the book
Results 1-3 of 26
Page 17
... craft is always waxen ; it is the limits of form which give it flight . It was Daedalus , who did not forget the limits of his craft , who kept his course . " ( # 32 : Hero , 128 ) Comments such as these concerning the artist's role and ...
... craft is always waxen ; it is the limits of form which give it flight . It was Daedalus , who did not forget the limits of his craft , who kept his course . " ( # 32 : Hero , 128 ) Comments such as these concerning the artist's role and ...
Page 48
... craft . As Lytle says , " An art is a craft confronting the mystery of the imagination . " ( # 41 : Hero , 197 ) The Elements of the Craft 12 If the intuitive part of the artistic performance is that part which keeps the artist on the ...
... craft . As Lytle says , " An art is a craft confronting the mystery of the imagination . " ( # 41 : Hero , 197 ) The Elements of the Craft 12 If the intuitive part of the artistic performance is that part which keeps the artist on the ...
Page 55
... craft : those elements of technique and method , rules and conventions , of which he has indicated a conscious knowledge and adherence to in his essays on his own and others ' fiction . Just how his craft is manifested in his fictional ...
... craft : those elements of technique and method , rules and conventions , of which he has indicated a conscious knowledge and adherence to in his essays on his own and others ' fiction . Just how his craft is manifested in his fictional ...
Common terms and phrases
Ada Belle agrarian Alchemy Allen Tate Andrew Lytle archetypal artist become Bomar boy's Caroline Gordon character Christian collective unconscious complex consciousness Controlling Image craft creative Cree dark death defines discovery divine drama Ellen enveloping action essay experience eyes Faulkner fictionist final Florida Henry Brent Henry's Hernando de Soto historical human illusion imagery imagination incest Indians innocence irony Jack Cropleigh Jack's Jericho Julia Jung Jungian knowledge literal literary Long Night looked Lucius Lytle's fiction Lytle's view Mammy Kate meaning mind Moon's Moon's Inn moral myth Name for Evil narrator nature never NN4S novel Ortiz past Pete Legrand Pleasant point of view present protagonist psychological reader reality rendition Reprinted in Hero scene seems sense Sewanee Review Soto Soto's Southern spiritual story symbol T. S. Eliot tell things tion Tovar tradition Ucita uncon unconscious Vaca Velvet Horn vision wholeness wilderness words writing Ysabel