Andrew Lytle's Fiction: a Traditional ViewStanford University, 1972 - 630 pages |
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Page 38
... past ] with detailed content . And this we do by using the present as evidence for its own past . It allows Lytle to assert that the fictionist uses " the accidental re- straints of manners and customs " of the past to represent " what ...
... past ] with detailed content . And this we do by using the present as evidence for its own past . It allows Lytle to assert that the fictionist uses " the accidental re- straints of manners and customs " of the past to represent " what ...
Page 178
... past has been stripped of its glamour , and within the sordidness of the present the boy has been forced to the ... past ; his realization does not allow him refuge in nostalgia . It would be natural enough to cling to a romanticized ...
... past has been stripped of its glamour , and within the sordidness of the present the boy has been forced to the ... past ; his realization does not allow him refuge in nostalgia . It would be natural enough to cling to a romanticized ...
Page 257
... past " con- stitute the substance of " the eternal present tense . " In spite of the juxtaposition of " time " and " eternity " in the theoretical statements , there is nothing " beyond time " in origin intended here ; only that ...
... past " con- stitute the substance of " the eternal present tense . " In spite of the juxtaposition of " time " and " eternity " in the theoretical statements , there is nothing " beyond time " in origin intended here ; only that ...
Common terms and phrases
Ada Belle agrarian Alchemy Allen Tate Andrew Lytle archetypal artist become Bomar boy's Caroline Gordon character Christian collective unconscious complex consciousness Controlling Image craft creative Cree dark death defines discovery divine drama effect Ellen enveloping action essay eyes Faulkner fictionist final Florida Henry Brent Henry's Hernando de Soto historical illusion imagery imagination incest Indians innocence irony Jack Cropleigh Jack's Jericho Julia Jung Jungian knowledge literal literary Long Night looked Lucius Lytle's fiction Lytle's view Mammy Kate meaning mind Moon's Moon's Inn moral mystery myth Name for Evil narrator nature never NN4S novel Ortiz past Pete Legrand Pleasant point of view present protagonist psychological reader reality rendition Reprinted in Hero scene seems sense Sewanee Review Soto Soto's Southern spiritual story symbol T. S. Eliot tell things tion Tovar tradition Ucita uncon unconscious Vaca Velvet Horn vision wholeness wilderness words writing Ysabel