Andrew Lytle's Fiction: a Traditional ViewStanford University, 1972 - 630 pages |
From inside the book
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Page 62
... reader's imag- ination : " the reader must be moved affectively , so that his insight will comprise the fullest meaning which lies before him . " ( # 1 : Hero , 195 ) If this is to happen , the reader must take seriously the action ...
... reader's imag- ination : " the reader must be moved affectively , so that his insight will comprise the fullest meaning which lies before him . " ( # 1 : Hero , 195 ) If this is to happen , the reader must take seriously the action ...
Page 64
... reader and the protagonist [ which ] involves the reader and lifts him from the accidents of life into some phase and understanding of the essence of things . " ( # 50 : Hero , 61 ) In the course of his essays Lytle never discusses this ...
... reader and the protagonist [ which ] involves the reader and lifts him from the accidents of life into some phase and understanding of the essence of things . " ( # 50 : Hero , 61 ) In the course of his essays Lytle never discusses this ...
Page 238
... reader's pre- cise judgment on a very elaborate set of opinions and actions in which the hero is sometimes right , sometimes wrong , and sometimes absurdly astray . Just to make sure that things are not too obvious , let us finally bind ...
... reader's pre- cise judgment on a very elaborate set of opinions and actions in which the hero is sometimes right , sometimes wrong , and sometimes absurdly astray . Just to make sure that things are not too obvious , let us finally bind ...
Common terms and phrases
Ada Belle agrarian Alchemy Allen Tate Andrew Lytle archetypal artist become Bomar boy's Caroline Gordon character Christian collective unconscious complex consciousness Controlling Image craft creative Cree dark death defines discovery divine drama effect Ellen enveloping action essay eyes Faulkner fictionist final Florida Henry Brent Henry's Hernando de Soto historical illusion imagery imagination incest Indians innocence irony Jack Cropleigh Jack's Jericho Julia Jung Jungian knowledge literal literary Long Night looked Lucius Lytle's fiction Lytle's view Mammy Kate meaning mind Moon's Moon's Inn moral mystery myth Name for Evil narrator nature never NN4S novel Ortiz past Pete Legrand Pleasant point of view present protagonist psychological reader reality rendition Reprinted in Hero scene seems sense Sewanee Review Soto Soto's Southern spiritual story symbol T. S. Eliot tell things tion Tovar tradition Ucita uncon unconscious Vaca Velvet Horn vision wholeness wilderness words writing Ysabel