Call her once before you go.-
Call once yet!

In a voice that she will know:

"Margaret! Margaret!"

Children's voices should be dear

(Call once more) to a mother's ear; Children's voices, wild with pain,— Surely she will come again!

Call her once and come away;

This way, this way!

"Mother dear, we cannot stay!

The wild white horses foam and fret."
Margaret! Margaret!

Come, dear children, come away down;
Call no more!

One last look at the white-walled town,

And the little gray church on the windy shore;
Then come down!

She will not come, though you call all day;
Come away, come away!

Children dear, was it yesterday

We heard the sweet bells over the bay?

In the caverns where we lay,

Through the surf and through the swell,
The far-off sound of a silver bell?
Sand-strewn caverns, cool and deep,
Where the winds are all asleep;
Where the spent lights quiver and gleam,
Where the salt weed sways in the stream,
Where the sea-beasts, ranged all round,
Feed in the ooze of their pasture-ground;
Where the sea-snakes coil and twine,
Dry their mail and bask in the brine;
Where great whales come sailing by,
Sail and sail, with unshut eye,
Round the world for ever and aye?

When did music come this way?
Children dear, was it yesterday?

The Forsaken Merman

1005

Children dear, was it yesterday

(Call yet once) that she went away?

Once she sate with you and me,

On a red gold throne in the heart of the sea,

And the youngest sate on her knee.

She combed its bright hair, and she tended it well,

When down swung the sound of the far-off bell.

She sighed, she looked up through the clear green sea;
She said: "I must go, for my kinsfolk pray

In the little gray church on the shore to-day.
"Twill be Easter-time in the world,—ah me!

And I lose my poor soul, Merman, here with thee."
I said: "Go up, dear heart, through the waves:
Say thy prayer, and come back to the kind sea-caves!"
She smiled, she went up through the surf in the bay.
Children dear, was it yesterday?

Children dear, were we long alone?
"The sea grows stormy, the little ones moan;
Long prayers," I said, "in the world they say;

Come!" I said, and we rose through the surf in the bay.
We went up the beach, by the sandy down

Where the sea-stocks bloom, to the white-walled town,
Through the narrow paved streets, where all was still,
To the little gray church on the windy hill.

From the church came a murmur of folk at their prayers,
But we stood without in the cold blowing airs.

We climbed on the graves, on the stones worn with

rains,

And we gazed up the aisle through the small leaded

panes.

She sate by the pillar; we saw her clear:
"Margaret, hist! come quick, we are here!
Dear heart," I said, "we are long alone;
The sea grows stormy, the little ones moan."
But, ah, she gave me never a look,

For her eyes were sealed to the holy book!

Loud prays the priest; shut stands the door.
Come away, children, call no more!
Come away, come down, call no more!

Down, down, down!

Down to the depths of the sea!

She sits at her wheel in the humming town,

Singing most joyfully.

Hark what she sings: "O joy, O joy,

From the humming street, and the child with its toy! From the priest, and the bell, and the holy well;

From the wheel where I spun,

And the blessed light of the sun!"

And so she sings her fill,

Singing most joyfully,

Till the spindle drops from her hand,

And the whizzing wheel stands still.

She steals to the window, and looks at the sand,

And over the sand at the sea;
And her eyes are set in a stare,
And anon there breaks a sigh,
And anon there drops a tear,
From a sorrow-clouded eye,
And a heart sorrow-laden,

A long, long sigh;

For the cold strange eyes of a little Mermaiden,

And the gleam of her golden hair.

Come away, away, children;
Come, children, come down!
The hoarse wind blows colder;
Lights shine in the town.
She will start from her slumber
When gusts shake the door;
She will hear the winds howling,

Will hear the waves roar.
We shall see, while above us

The waves roar and whirl,
A ceiling of amber,

A pavement of pearl.

Singing: "Here came a mortal,

But faithless was she!

And alone dwell for ever

The kings of the sea.”

The Portrait

1007

But, children, at midnight,

When soft the winds blow,
When clear falls the moonlight,
When spring-tides are low;
When sweet airs come seaward
From heaths starred with broom,
And high rocks throw mildly
On the blanched sands a gloom;
Up the still, glistening beaches,
Up the creeks we will hie;
Over banks of bright seaweed
The ebb-tide leaves dry.

We will gaze, from the sand-hills,
At the white, sleeping town;
At the church on the hillside-
And then come back down.

Singing: "There dwells a loved one,
But cruel is she!

She left lonely for ever

The kings of the sea."

Matthew Arnold [1822-1888]

THE PORTRAIT

MIDNIGHT past! Not a sound of aught

Through the silent house, but the wind at his prayers.

I sat by the dying fire, and thought

Of the dear dead woman up-stairs.

A night of tears! for the gusty rain

Had ceased, but the eaves were dripping yet; And the moon looked forth, as though in pain, With her face all white and wet:

Nobody with me, my watch to keep,

But the friend of my bosom, the man I love:

And grief had sent him fast to sleep

In the chamber up above.

Nobody else, in the country place

All round, that knew of my loss beside,

But the good young Priest with the Raphael-face, Who confessed her when she died.

That good young Priest is of gentle nerve,

And my grief had moved him beyond control;

For his lip grew white, as I could observe,
When he speeded her parting soul.

I sat by the dreary hearth alone:

I thought of the pleasant days of yore: I said, "The staff of my life is gone:

The woman I loved is no more.

"On her cold dead bosom my portrait lies,
Which next to her heart she used to wear-
Haunting it o'er with her tender eyes
When my own face was not there.

"It is set all round with rubies red,

And pearls which a Peri might have kept. For each ruby there my heart hath bled: For each pearl my eyes have wept."

And I said "The thing is precious to me:
They will bury her soon in the churchyard clay;
It lies on her heart, and lost must be

If I do not take it away."

I lighted my lamp at the dying flame,

And crept up the stairs that creaked for fright, Till into the chamber of death I came,

Where she lay all in white.

The moon shone over her winding-sheet,
There stark she lay on her carven bed:
Seven burning tapers about her feet,
And seven about her head.