A Guide to Orchestral Music: The Handbook for Non-musiciansOxford University Press, 1980 - 579 pages Relaxed and accessible in style, this authoritative guide is the first symphony handbook for non-musicians. The book begins with a general introduction to the symphony and short pieces on the orchestra and musical styles. Mordden goes on to describe, chronologically, over 700 pieces--fromVivaldi to twentieth-century composers. Further aids to the reader include two lists of repertory builders and a glossary of musical terms. "Easy and pleasurable to read...a genuinely useful guide for the music lover who has not had a musical education but loves concert music."--John Barkham Reviews |
From inside the book
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Page 71
... solo , which is surprisingly prominent in an era that did not recognize the harpsichord as suitable for solo work in the orchestra . ( As the con- tinuo , it habitually played along with the strings as an orchestral back- up . ) In fact ...
... solo , which is surprisingly prominent in an era that did not recognize the harpsichord as suitable for solo work in the orchestra . ( As the con- tinuo , it habitually played along with the strings as an orchestral back- up . ) In fact ...
Page 114
... solo wind quartet Mozart revives the concertino ( solo group ) and the ripieno ( the rest of the orchestra : two oboes , two horns , and strings ) . Needless to say , this is an unusually concertoish concerto , what with four soloists ...
... solo wind quartet Mozart revives the concertino ( solo group ) and the ripieno ( the rest of the orchestra : two oboes , two horns , and strings ) . Needless to say , this is an unusually concertoish concerto , what with four soloists ...
Page 407
... solo bits and tutti ( full orchestra ) effects . ( Those who would compare French and German styles in art might play Ravel's Daphnis sunrise back to back with the cosmic first minute of Richard Strauss ' Also Sprach Zarathustra , also ...
... solo bits and tutti ( full orchestra ) effects . ( Those who would compare French and German styles in art might play Ravel's Daphnis sunrise back to back with the cosmic first minute of Richard Strauss ' Also Sprach Zarathustra , also ...
Contents
How To Use This Book | 3 |
The Digest Guide for Dilletantes | 36 |
A Note on Performing Styles | 49 |
Copyright | |
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Common terms and phrases
Bach ballet Baroque bassoon Beethoven Berlioz Brahms brass Bruckner cadenza called cello Chaikofsky chords clarinet Classical climax coda color composer D Major dance dramatic Dvořák English horn fanfare finale fourth mvt finale third mvt Flat Major flute four movements fugue harmony harp Haydn hear heard horn instruments listener Liszt lyrical Mahler main theme melody Mendelssohn ment middle section minor minuet mood motto theme move Mozart musicians oboe opening opera orchestra overture phony Piano Concerto piece play popular program music recapitulation restatement rhythm rhythmic Romantic rondo Russian scherzo scherzo third mvt Schönberg score second movement second slow second subject second theme serenade Sibelius slow introduction slow movement slow second solo soloist sonata sonata form sonata-allegro song sound Strauss Stravinsky structure style subtitle suite symphony tempo third movement three movements timpani tion tone poem traditional trio trumpet tune variations viola Violin Concerto waltz woodwinds