University of California Publications in English, Volume 8University of California Press, 1940 |
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Page 30
... interest , Chaucer could see further possibilities in its use . For , as the Pardoner declares , whan I dar noon oother weyes debate , Thanne wol I stynge hym with my tonge smerte In prechyng , so that he shal nat asterte To been ...
... interest , Chaucer could see further possibilities in its use . For , as the Pardoner declares , whan I dar noon oother weyes debate , Thanne wol I stynge hym with my tonge smerte In prechyng , so that he shal nat asterte To been ...
Page 57
... interest in the drama per se is obviously indicated by the device of the Mouse Trap and by his association with the players . Since Shakespeare might have retained the Mouse Trap from his source only because of its theatrical ...
... interest in the drama per se is obviously indicated by the device of the Mouse Trap and by his association with the players . Since Shakespeare might have retained the Mouse Trap from his source only because of its theatrical ...
Page 58
... interest in the theater and in dra- matic art . Interest in the drama as such , of course , hardly demonstrates the deep - seated dramaturgy of Hamlet's nature ; but its presence may be noted as symptomatic . His dramatizing of his ...
... interest in the theater and in dra- matic art . Interest in the drama as such , of course , hardly demonstrates the deep - seated dramaturgy of Hamlet's nature ; but its presence may be noted as symptomatic . His dramatizing of his ...
Contents
Chaucers Art in Relation to His Audience I | 1 |
Dramatist | 55 |
Hydriotaphia | 73 |
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artistic associations attitude audience believe Canterbury Canterbury Tales characteristic Chaucer Christian Ciceronian Claudius common sense contrast course Criseyde criticism death divine doubt dramatic dramaturgic Edmund Gosse ence essay Established Church evidence experience expression fact faith feeling Gosse Grecian Urn Hamlet Hamlet's character Hazlitt hire Houyhnhnms human Ibid ideas images imagination immediate implied important John Keats Keats Keats's kind Knight's Tale Laertes living Lytton Strachey Macbeth matter means Melancholy Melibeus mind Montaigne murder narrative nature never Pandarus paradox passage philosophy picture play poem poet poetry present principle prologue Pseudodoxia Epidemica quod rational readers reason Religio Medici religion revenge rĂ´le says seems seyde Shakespeare shal Sir Thomas Browne skepticism story style swich Swift Tale technique ther things thinking thought tion Troilus truth and beauty Urn-Burial Vulgar Errors W. S. Hett Whan Wife of Bath William Hazlitt words writes