University of California Publications in English, Volume 8University of California Press, 1940 |
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Page 44
... speak of himself as the writer of the manuscript before him , even when he is also thinking of the audience to whom he will be reading . Addressing a reader is distinct from such allusions as these . But the Knight may not with ...
... speak of himself as the writer of the manuscript before him , even when he is also thinking of the audience to whom he will be reading . Addressing a reader is distinct from such allusions as these . But the Knight may not with ...
Page 57
... speak lines from a favorite play . The scene reveals that a definite interest in the drama is one of Hamlet's character- istics , and that he turns naturally and gladly to the players be- fore even thinking of using them as a test for ...
... speak lines from a favorite play . The scene reveals that a definite interest in the drama is one of Hamlet's character- istics , and that he turns naturally and gladly to the players be- fore even thinking of using them as a test for ...
Page 111
... speak thus of finding the Truth by Reason , I intend not to exclude the Grace of God .... Yet when I speak of God's Grace , I mean not that it infuseth a knowledge without reason , but works by it , as by its minister , and dispels ...
... speak thus of finding the Truth by Reason , I intend not to exclude the Grace of God .... Yet when I speak of God's Grace , I mean not that it infuseth a knowledge without reason , but works by it , as by its minister , and dispels ...
Contents
Chaucers Art in Relation to His Audience I | 1 |
Dramatist | 55 |
Hydriotaphia | 73 |
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artistic associations attitude audience believe Canterbury Canterbury Tales characteristic Chaucer Christian Ciceronian Claudius common sense contrast course Criseyde criticism death divine doubt dramatic dramaturgic Edmund Gosse ence essay Established Church evidence experience expression fact faith feeling Gosse Grecian Urn Hamlet Hamlet's character Hazlitt hire Houyhnhnms human Ibid ideas images imagination immediate implied important John Keats Keats Keats's kind Knight's Tale Laertes living Lytton Strachey Macbeth matter means Melancholy Melibeus mind Montaigne murder narrative nature never Pandarus paradox passage philosophy picture play poem poet poetry present principle prologue Pseudodoxia Epidemica quod rational readers reason Religio Medici religion revenge rĂ´le says seems seyde Shakespeare shal Sir Thomas Browne skepticism story style swich Swift Tale technique ther things thinking thought tion Troilus truth and beauty Urn-Burial Vulgar Errors W. S. Hett Whan Wife of Bath William Hazlitt words writes