4. And, Douglas, more I tell thee here, Here in thy hold, thy vassals near, I tell thee, thou'rt defied! And, if thou said'st I am not peer "Marmion and Douglas." COMPOUND SIR WALTER SCOTT. 1. Gone to be married! gone to swear a peace! 2. "Arm, warriors, arm for fight; the foe at hand, Whom fled we thought, will save us long pursuit this day." THOROUGH 1. Ho! sound the tocsin from the tower, And fire the culverin! Bid each retainer arm with speed,- "The Baron's Last Banquet." A. G. GREENE. 2. I conjure you, by that which you profess Tho bladed corn be lodged, and trees blown down; Tho palaces, and pyramids, do slope Their heads to their foundations; tho the treasure Even till destruction sicken,-answer me "Macbeth." SHAKESPEARE. 3. And now the martyr is moving in triumphal march, mightier than when alive. INTERMITTENT BEECHER. 1. Pity the sorrows of a poor old man, Whose trembling limbs have borne him to your door, Whose days are dwindled to the shortest span; Oh! give relief, and Heav'n will bless your store. "The Beggar." THOMAS Moss. 2. I tax not you, you elements, with unkindness. To many 3. We buried the old year in silence and sadness. it brought misfortune and affliction. The wife hath given her husband and the husband his wife at its stern behest; the father hath consigned to its cold arms the son in whom his life centered, and the mother hath torn from her bosom her tender babe and buried it in her heart in the cold, cold ground. EDWARD BROOKS. 4. Save me, O God, for the waters are come in unto my soul. I sink in deep mire where there is no standing: I am come into deep water where the floods overflow me. I am weary of my crying; my throat is dried; mine eyes fail while I wait for my God. RHYTHM In the reading of both prose and poetry, there is a rhythmic movement that is physiological in its basis. The succession of heavy and light sounds, or accented and unaccented syllables, is in keeping with the action and reaction found in the larynx itself, where an alternate tension and relaxation of the vocal chords takes place. This marking of time is as natural as the beating of the pulse and is essential to musical utterance. Professor Raymond, in "Poetry as a Representative Art," says: "With exceptions, the fewness of which confirms the rule, all of our English words of more than one syllable must necessarily be accented in one way; and all of our articles, prepositions, and conjunctions of one syllable are unaccented, unless the sense very plainly demands a different treatment. These two facts enable us to arrange any number of our words so that accents shall fall on syllables separated by like intervals. The tendency to compare things, and to put like with like, which is in constant operation where there are artistic possibilities, leads men to take satisfaction in this kind of an arrangement; and when they have made it, they have produced rhythm." 1. In slumbers of midnight the sailor boy lay, "The Sailor Boy's Dream." DIMOND. 2. For the moon never beams without bringing me dreams Of the beautiful Annabel Lee, And the stars never rise but I feel the bright eyes Of the beautiful Annabel Lee. And so all the night-tide I lie down by the side In her tomb by the sounding sea. "Annabel Lee." 3. A hurry of hoofs in a village street, A shape in the moonlight, a bulk in the dark, POE. And beneath from the pebbles, in passing, a spark And the spark struck out by that steed, in his flight, "Paul Revere's Ride." LONGFELLOW. 4. When the mists have rolled in splendor And the sunshine, warm and tender, We shall know each other better When the mists have rolled away. When the mists have rolled away. 5. Blessed is the man that walketh not in the counsel of the wicked, Nor standeth in the way of sinners, Nor sitteth in the seat of scoffers: But his delight is in the law of Jehovah; And on his law doth he meditate day and night. And he shall be like a tree planted by the streams of water, Whose leaf also doth not wither; And whatsoever he doeth shall prosper. The wicked are not so, But are like the chaff which the wind driveth away. 6. When I do count the clock that tells the time, And see the brave day sunk in hideous night; When I behold the violet past prime, And sable curls all silver'd o'er with white; When lofty trees I see barren of leaves, THE BIBLE. Which erst from heat did canopy the herd, That thou among the wastes of time must go, And nothing 'gainst Time's scythe can make defense Shall I compare thee to a summer's day? Thou art more lovely and more temperate: And often is his gold complexion dimm'd; Nor lose possession of that fair thou owest; So long as men can breathe, or eyes can see, |