after all the hard shower that we got caught in, that I thought had ruined it. Third, I think I impressed Hawkins as I hoped to, even if I was a bit nervous. Fourth, while my introduction to Madam Chartley was horribly mortifying, all's well that ends well, and she didn't lay it up against me. I think she must have taken quite a fancy to me instead or she wouldn't have given me my fifth and greatest reason for thankfulness, the privilege of occupying Lloyd's old room. Maybe I oughtn't to put that as the greatest reason, for of course it's greater just to be here at all, and seventh, I'll never get done being thankful that I've got Jack for a brother. That really is the best of all, and I'm going to make so much out of my opportunities this year, that he'll feel repaid for all he's done for me, and be glad and proud that he could do it."

Filling another page with an account of her journey and her impressions of the place, Mary closed her journal with a sigh of relief that the long-neglected entry had been made. Then she leaned back on the rustic bench and gave herself up to the enjoyment of her surroundings. The fountain splashed softly. A lazy breeze stirred the vines, and fanned her face. Far below, the shining Potomac took its

slow way to the sea between its lines of drooping willows. The calm and repose of the stately old place seemed to steal in on her soul not only through eye and ear and sense of touch, but at every pore.

"It's the strangest thing," she mused. "I must be a sort of chameleon, the way I change with my surroundings. It doesn't seem possible that only last week I was scrambling around with my head tied up in a towel, scrubbing and cleaning and dragging furniture around at a break-neck speed. I could almost believe I've never done anything all my life but trail around this garden at my elegant leisure like some fine lady-in-waiting."

There was time for a stroll down to the river before the falling twilight recalled her to the house. As she went down the flight of marble steps it was with the self-conscious feeling that she was a girl in a play, and this was one of the scenes in Act I. She had seen a setting like this on a stage one time, when a beautiful lady trailed down the steps of a Venetian palace to the gondola waiting in the lagoon below. To be sure Mary's dress did not trail, and she was not tall and willowy outwardly, but it made no difference as long as she could feel that she was. For a long time she walked slowly back and forth along the river path, pausing now and then to look

up at the great castle-like building above her. She had never seen one before so suggestive of oldworld grandeur. Already it was giving her more than she would find inside in its text-books. Peculiarly susceptible to surroundings, she unconsciously held herself more erect, as if such a stately habitation demanded it of her. And when she climbed the steps again, with it looming up before her in the red afterglow, the dignity and repose of its lines, from its massive portal to its highest turret, awakened a response in her beauty-loving little soul that thrilled her like music.

She went softly through the great door and up the stair-case, pausing for a moment on the landing to look at the coat-of-arms in the stained glass window. It was a copy of the window in the old ancestral castle in England, that belonged to Madam Chartley's family. Mary already knew the story of its traditional founder, the first Edryn who had won his knighthood in valiant deeds for King Arthur. In the dim light the coat-of-arms gleamed like jewels in an amber setting, and the heart in the crest, the heart out of which rose a mailed hand. grasping a spear, was like a great ruby.

"I keep the tryste," whispered Mary, reading the motto of the scroll underneath. "No wonder

Madam Chartley grew up to be so patrician. Anybody might with a window like that in the house."

Some one began striking loud full chords on a piano in one of the rooms below; some one with a strong masterful touch. Mary was sure it was a man. By leaning over the banister until she almost lost her balance, she caught a glimpse of a pair of black coat-tails swinging awkwardly over a piano bench. Herr Vogelbaum, the musical director, must have arrived. Probably she would meet him at dinner. That was something to look forward to an artist who had played before crowned heads and had been lionized all over Germany. And then the chords rolled into something so beautiful and inspiring that Mary knew that for the first time in her life she was hearing really great music, played by a master. She sat down on the steps to listen.

The self-conscious feeling that she was acting a part in a play came back afresh, and made her hastily pull down her skirts and assume a listening attitude. Thinking how effective she would look on a stage she leaned back against the carved banister, clasping her hands around her knees, and gazing up at the ruby heart in the stained glass window above her. But in a moment both self and pose were forgotten. She had never dreamed that the world held