Tennyson, His Art and Relation to Modern LifeIsbister, 1894 - 490 pages |
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Stopford Augustus Brooke. BALLANTYNE PRESS LONDON EDINBURGH CONTENTS INTRODUCTION CHAP . 1. Tennyson as an Artist II.
Stopford Augustus Brooke. BALLANTYNE PRESS LONDON EDINBURGH CONTENTS INTRODUCTION CHAP . 1. Tennyson as an Artist II.
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Stopford Augustus Brooke. CONTENTS INTRODUCTION CHAP . 1. Tennyson as an Artist II . His Relation to Christianity III . His Relation to Social Politics I. The Poems of 1830 II . THE POEMs of 1833 III . THE POEMS OF 1842 PAGE 7 , 8 18 ...
Stopford Augustus Brooke. CONTENTS INTRODUCTION CHAP . 1. Tennyson as an Artist II . His Relation to Christianity III . His Relation to Social Politics I. The Poems of 1830 II . THE POEMs of 1833 III . THE POEMS OF 1842 PAGE 7 , 8 18 ...
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... artist , it became a Christian , it became a man . To these three points this Introduction is dedicated to his relation to beauty , to his relation to the Christian faith , and to his relation to the movement of humanity . The art of ...
... artist , it became a Christian , it became a man . To these three points this Introduction is dedicated to his relation to beauty , to his relation to the Christian faith , and to his relation to the movement of humanity . The art of ...
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... artist can attain , It is true that Tennyson never went down into the obscure and thorny depths of metaphysics and theology ; it is true that he did not attempt to express the more dreadful and involved passions of mankind , such as ...
... artist can attain , It is true that Tennyson never went down into the obscure and thorny depths of metaphysics and theology ; it is true that he did not attempt to express the more dreadful and involved passions of mankind , such as ...
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... artist . The essential difference of an artist is love of beauty and the power of shaping it . The greatness of an artist is pro- portionate to the depth and truth of his love of beauty ; to his faithfulness to it , and to his unre ...
... artist . The essential difference of an artist is love of beauty and the power of shaping it . The greatness of an artist is pro- portionate to the depth and truth of his love of beauty ; to his faithfulness to it , and to his unre ...
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allegory ancient Arthur artist beauty Bedivere belong blank verse character charm clear cries death deep delightful dramatic monologue dream earth emotion England English Enid Enoch Enoch Arden Enone Ettarre faith feeling felt fire flowers Galahad Gareth Geraint Geraint and Enid Guinevere happy hear heart heaven Holy Grail human Idylls imagination immortal invented Keats King Lady of Shalott Lancelot land landscape light Limours lines living Locksley Hall lover Lucretius mankind Maud Memoriam Merlin mind moral Moreover Nature never night noble painted pass passage passion Pelleas pleasure poem poet poetic poetry Princess Queen question Rizpah romance round Sea Fairies Shelley song sorrow soul spirit story sweet tale tender Tennyson things thou thought thro touch Tristram true truth verse vision Vivien voice whole wild wind woman women Wordsworth wrought youth
Popular passages
Page 373 - The bare black cliff clang'd round him, as he based His feet on juts of slippery crag that rang Sharp-smitten with the dint of armed heels — And on a sudden, lo! the level lake, And the long glories of the winter moon.
Page 101 - Break, break, break, On thy cold gray stones, O Sea! And I would that my tongue could utter The thoughts that arise in me. O well for the fisherman's boy, That he shouts with his sister at play! O well for the sailor lad, That he sings in his boat on the bay! And the stately ships go on To their haven under the hill; But O for the touch of a...
Page 206 - HE maketh the storm a calm, So that the waves thereof are still. Then are they glad because they be quiet ; So HE bringeth them unto their desired haven.
Page 120 - Self-reverence, self-knowledge, self-control, These three alone lead life to sovereign power. Yet not for power (power of herself Would come uncall'd for), but to live by law, Acting the law we live by without fear ; And, because right is right, to follow right Were wisdom in the scorn of consequence.
Page 83 - A still salt pool, lock'd in with bars of sand; Left on the shore; that hears all night The plunging seas draw backward from the land Their moon-led waters white.
Page 371 - And bore him to a chapel nigh the field, A broken chancel with a broken cross, That stood on a dark strait of barren land. On one side lay the Ocean, and on one Lay a great water, and the moon was full.
Page 439 - The living soul was flash'd on mine, And mine in this was wound, and whirl'd About empyreal heights of thought, And came on that which is, and caught The deep pulsations of the world, Ionian music measuring out The steps of Time - the shocks of Chance The blows of Death. At length my trance Was cancell'd, stricken thro
Page 242 - A shadow flits before me, Not thou, but like to thee: Ah Christ, that it were possible For one short hour to see The souls...
Page 296 - In Love, if Love be Love, if Love be ours, Faith and unfaith can ne'er be equal powers : Unfaith in aught is want of faith in all. " It is the little rift within the lute, That by and by will make the music mute, And ever widening slowly silence all.
Page 101 - COME not, when I am dead, To drop thy foolish tears upon my grave, To trample round my fallen head, And vex the unhappy dust thou wouldst not save. There let the wind sweep and the plover cry; But thou, go by.