Tennyson, His Art and Relation to Modern Life, Volume 10G.P. Putnam's Sons, 1894 - 516 pages |
From inside the book
Results 1-5 of 71
Page 8
... character . The way in which he worked , his choice of subjects , his style , were all the revelation of a character drawn on large and uncomplicated lines ; and in this sense , in the complete sincerity to his inner being of all he did ...
... character . The way in which he worked , his choice of subjects , his style , were all the revelation of a character drawn on large and uncomplicated lines ; and in this sense , in the complete sincerity to his inner being of all he did ...
Page 11
... character . Mingled with this simplicity , which was due to the unconscious entrance of his character into his art , there was also in all his poetry , as I have said with regard to his death , a certain stateliness entirely conscious ...
... character . Mingled with this simplicity , which was due to the unconscious entrance of his character into his art , there was also in all his poetry , as I have said with regard to his death , a certain stateliness entirely conscious ...
Page 13
... character is more or less nobly mixed . This sense of the relation the poet bears to mankind , this sense he has of his office and of the duty it imposes on him , was pro- foundly felt by Tennyson , became a part of him as an artist ...
... character is more or less nobly mixed . This sense of the relation the poet bears to mankind , this sense he has of his office and of the duty it imposes on him , was pro- foundly felt by Tennyson , became a part of him as an artist ...
Page 19
... awakening was felt and seized by two distinct types of character , or of human tendency , and crystallised by two representative men , by J. H. Newman and Frederick Maurice ; In and it is curious for those who care for INTRODUCTION 19.
... awakening was felt and seized by two distinct types of character , or of human tendency , and crystallised by two representative men , by J. H. Newman and Frederick Maurice ; In and it is curious for those who care for INTRODUCTION 19.
Page 39
... character , their long descent to us from the past , and the sacred reverence that we owe to them , than Tennyson . He has strengthened , by the expression of this reverence , love of country among this people , and the strength he has ...
... character , their long descent to us from the past , and the sacred reverence that we owe to them , than Tennyson . He has strengthened , by the expression of this reverence , love of country among this people , and the strength he has ...
Other editions - View all
Common terms and phrases
allegory Arthur Arthur Hallam artist beauty belong blank verse breath Byron character clear cries dawn death deep dramatic monologue dream earth emotion England English Enoch Enoch Arden Enone Ettarre faith feeling felt fire flowers Galahad Geraint Grail Guinevere happy hear heart Holy Grail human Idylls imagination immortal invented Keats King Lady of Shalott Lancelot land landscape light Limours lines living Locksley Hall lover Lucretius mankind Maud Memoriam Merlin mind Moreover Nature never night noble painted pass passion Pelleas picture pleasure poem poet poetic poetry Prince Princess question Rizpah romance round Sea Fairies seems Shelley singing song sorrow soul spirit story sweet tale tender Tennyson things thou thought thro Tiresias Tithonus touch true truth universal verse vision Vivien voice whole wild wind woman women Wordsworth wrought youth
Popular passages
Page 373 - The bare black cliff clang'd round him, as he based His feet on juts of slippery crag that rang Sharp-smitten with the dint of armed heels — And on a sudden, lo! the level lake, And the long glories of the winter moon.
Page 101 - Break, break, break, On thy cold gray stones, O Sea! And I would that my tongue could utter The thoughts that arise in me. O well for the fisherman's boy, That he shouts with his sister at play! O well for the sailor lad, That he sings in his boat on the bay! And the stately ships go on To their haven under the hill; But O for the touch of a...
Page 206 - HE maketh the storm a calm, So that the waves thereof are still. Then are they glad because they be quiet ; So HE bringeth them unto their desired haven.
Page 120 - Self-reverence, self-knowledge, self-control, These three alone lead life to sovereign power. Yet not for power (power of herself Would come uncall'd for), but to live by law, Acting the law we live by without fear ; And, because right is right, to follow right Were wisdom in the scorn of consequence.
Page 83 - A still salt pool, lock'd in with bars of sand; Left on the shore; that hears all night The plunging seas draw backward from the land Their moon-led waters white.
Page 371 - And bore him to a chapel nigh the field, A broken chancel with a broken cross, That stood on a dark strait of barren land. On one side lay the Ocean, and on one Lay a great water, and the moon was full.
Page 439 - The living soul was flash'd on mine, And mine in this was wound, and whirl'd About empyreal heights of thought, And came on that which is, and caught The deep pulsations of the world, Ionian music measuring out The steps of Time - the shocks of Chance The blows of Death. At length my trance Was cancell'd, stricken thro
Page 242 - A shadow flits before me, Not thou, but like to thee: Ah Christ, that it were possible For one short hour to see The souls...
Page 296 - In Love, if Love be Love, if Love be ours, Faith and unfaith can ne'er be equal powers : Unfaith in aught is want of faith in all. " It is the little rift within the lute, That by and by will make the music mute, And ever widening slowly silence all.
Page 101 - COME not, when I am dead, To drop thy foolish tears upon my grave, To trample round my fallen head, And vex the unhappy dust thou wouldst not save. There let the wind sweep and the plover cry; But thou, go by.