The Art of Writing & Speaking the English Language, Volume 1old Greek Press., 1903 |
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Page 5
... • • 119 125 CHAPTER XIII . IMAGINATION AND REALITY . -THE AUDIENCE . • • CHAPTER XIV . THE USE OF MODELS WRITING FICTION . CHAPTER XV . CONTRAST . APPENDIX . • C COMPOSITION INTRODUCTION . THE METHOD OF THE MASTERS For.
... • • 119 125 CHAPTER XIII . IMAGINATION AND REALITY . -THE AUDIENCE . • • CHAPTER XIV . THE USE OF MODELS WRITING FICTION . CHAPTER XV . CONTRAST . APPENDIX . • C COMPOSITION INTRODUCTION . THE METHOD OF THE MASTERS For.
Page 25
... Contrast is almost as powerful as comparison in making our ideas clear and vivid . Examples : ( Macaulay , more than any other writer , habitually uses antitheses ) . Saul , seek- ing his father's asses , found himself turned into a ...
... Contrast is almost as powerful as comparison in making our ideas clear and vivid . Examples : ( Macaulay , more than any other writer , habitually uses antitheses ) . Saul , seek- ing his father's asses , found himself turned into a ...
Page 36
... contrast marked to the eye by the italic words " them " and " you . " The next two sentences are quite short , and variety is given by the simple transposition in " and very good farmers they were . " This is no more than a graceful ...
... contrast marked to the eye by the italic words " them " and " you . " The next two sentences are quite short , and variety is given by the simple transposition in " and very good farmers they were . " This is no more than a graceful ...
Page 37
... contrasts , which culminate in the two words " Black Brothers . " It is easy to see that much of the strength of these two paragraphs lies in the continued and re- peated use of contrast . The first paragraph , with its beautiful ...
... contrasts , which culminate in the two words " Black Brothers . " It is easy to see that much of the strength of these two paragraphs lies in the continued and re- peated use of contrast . The first paragraph , with its beautiful ...
Page 38
... contrast in the description of little Gluck . This paragraph is shorter , but the same devices are used that we found in the preceding . In these three paragraphs the following points are well illustrated : 1. Each paragraph develops ...
... contrast in the description of little Gluck . This paragraph is shorter , but the same devices are used that we found in the preceding . In these three paragraphs the following points are well illustrated : 1. Each paragraph develops ...
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Common terms and phrases
Addison art of writing artistic Barbox Brothers beauty called carver CHAPTER Charles Lamb child composition contrast dialogue effect English essay example expressing fact faults fiction figure of speech Franklin friends gives Golden River gram grammar human humor idea idiom illustrate imitate instinct Jack Ketch kind language Learned to Write letters literary lofty style logical long sentence look Macaulay master Matthew Arnold meaning metaphor method Metonymy mind models narrative natural ness never observed paragraph pass passage perfect periodic sentence person phrase pinnace Polly POOR RICHARD says Poor Richard's Almanac prose Puritans Quincey reader repetition rhetoric ridicule Ruskin Sainte-Beuve Sam Patch satire seems sense short sentences simple speak story suggestion tence Thackeray thing thought tion Tom Fool trast Treasure Valley trying turn Vanity Fair verb whole William Ellery Channing wish words
Popular passages
Page 24 - Vice is a monster of so frightful mien, As, to be hated, needs but to be seen; Yet seen too oft, familiar with her face, We first endure, then pity, then embrace.
Page 105 - If Time be of all Things the most precious, wasting Time must be, as Poor Richard says, the greatest Prodigality; since, as he elsewhere tells us, Lost Time is never found again; and what we call Time enough, always proves little enough...
Page 26 - Sport that wrinkled Care derides, And Laughter holding both his sides. Come, and trip it as you go On the light fantastic toe...
Page 64 - Thus the Puritan was made up of two different men, the one all self-abasement, penitence, gratitude, passion, the other proud, calm, inflexible, sagacious. He prostrated himself in the dust before his Maker : but he set his foot on the neck of his king.
Page 63 - The Puritans were men whose minds had derived a peculiar character from the daily contemplation of superior beings and eternal interests. Not content with acknowledging, in general terms, an overruling Providence, they habitually ascribed every event to the will of the Great Being, for whose power nothing was too vast, for whose inspection nothing was too minute.
Page 13 - I had gone on making verses; since the continual occasion for words of the same import, but of different length, to suit the measure, or of different sound for the rhyme, would have laid me under a constant necessity of searching for variety, and also have tended to fix that variety in my mind, and make me master of it. Therefore, I took some of the tales and turned them into verse; and after a time, when I had pretty well forgotten the prose, turned them back again.
Page 64 - People who saw nothing of the godly but their uncouth visages, and heard nothing from them but their groans and their whining hymns, might laugh at them. But those had little reason to laugh, who encountered them in the hall of debate or in the field of battle.
Page 29 - I saw her bright reflection In the waters under me, Like a golden goblet falling And sinking into the sea. And far in the hazy distance Of that lovely night in June, The blaze of the flaming furnace Gleamed redder than the moon. Among...
Page 65 - These fanatics brought to civil and military affairs a coolness of judgment and an immutability of purpose, which some writers have thought inconsistent with their religious zeal, but which were in fact the necessary effects of it. The intensity of their feelings on one subject made them tranquil on every other.
Page 68 - Nor love thy life, nor hate; but what thou livest Live well; how long, or short, permit to Heaven: And now prepare thee for another sight." He look'd, and saw a spacious plain, whereon Were tents of various hue; by some were herds Of cattle grazing; others, whence the sound Of instruments, that made melodious chime, Was heard, of harp and organ, and who moved Their stops and chords was seen; his volant touch, Instinct through all proportions, low and high, Fled and pursued transverse the resonant...