35 35 LADY UNA AND THE LION. 19 And hopes, and fears that kindle hope, 20 She wept with pity and delight, She blush'd with love and virgin shame; I heard her breathe my name. 21 Her bosom heaved, she stepp'd aside, 22 She half enclosed me with her arms, 23 'T was partly love, and partly fear, 24 I calm'd her fears, and she was calm, My bright and beauteous Bride. S. T. COLERIDGE: 1772-1834. LADY UNA3 AND THE LION. 1 NOUGHT is there under heaven's wide hallowness Than beauty brought t' unworthy wretchedness Una is the heroine of the first Book of Spenser's Faerie Queene. She appears to have been intended, at least in part, as a poetical impersonation of Truth. At all events, she is one of the sweetest and loveliest visions that ever issued from a poet's brain. In Spenser's time, the endings sion, tion, as also cian, and various others, were often used as two syllables. Through envy's snares, or fortune's freaks unkind. Which I do owe unto all womankind, Feel my heart pierced with so great agony, 2 And now it is empassionèd so deep, For fairest Una's sake, of whom I sing, That my frail eyes these lines with tears do steep, Is from her Knight divorced in despair, 6 And her due loves derived to that vile Witch's share. 3 Yet she, most faithful I dy a this while, Forsaken, woeful, solary maid, Far from all people's press, as in exile, In wilderness ad wasteful deserts stray'd Through at late vision which th' Enchanter wrought, Through wods and wasteness wide him daily rought; 4 One day, nigh weary of the irksome way, Did never mortal eye behold such heavenly grace. That is, handling, in the sense of treatment. Here, again, we have a relic of ancient usage. So, too, in commandement, in the last stanza of this piece. And in many other like words, the old poets often make two syllables where we now make but one. A foul and ugly old hag named Duessa, but painted and pranked up into a false show of beauty, and dealing in magic arts. She had lied and cheated the red-cross Knight, the hero of the story, out of his faith in Una, and beguiled him with her mighty spells. LADY UNA AND THE LION. 5 It fortuned, out of the thickest wood A ramping lion rushèd suddenly, Hunting full greedy after savage blood: And, with the sight amazed, forgat his furious force. 6 Instead thereof, he kiss'd her weary feet, 7 "The lion, lord of every beast in field," Her that him loved, and ever most adored As the god of my life? why hath he me abhorr'd?" 8 Redounding tears did choke th' end of her plaint, To seek her strayèd Champion if she might attain. 37 9 The lion would not leave her desolate, Still, when she slept, he kept both watch and ward; EDMUND SPENSER: 1553-1598. VIRTUE AND PLEASURE. 1 GREAT friend and servant of the good, And give thy troubled spirit peace; For thy immortal head. 2 Go choose among, but with a mind As gentle as the stroking wind Runs o'er the gentler flowers; 3 Grace, laughter, and discourse may meet, But not dissolved in wantonness. 4 Will you that I give the law VIRTUE. 5 An eye of looking back were well, Your thoughts, how you were sent, To walk with Pleasure, not to dwell. 6 These, these are hours by Virtue shared, Herself, she being her own reward: But she will have you know That, though Her sports be soft, her life is hard. 7 You must return unto the hill, With labour, and inhabit still From whence you ever may look down 8 She, she it is in darkness shines, 'Tis she that still herself refines By her own light to every eye; More seen, more known, when Vice stands by; In Heaven she hath her right of birth. 9 There, there is Virtue's seat: Strive to keep her your own; 'Tis only she can make you great, Though place here make you known. BEN JONSON: 1574-1637. VIRTUE. 1 SWEET day, so cool, so calm, so bright, The dew shall weep thy fall to-night, 39 |