The Edinburgh Review: Or Critical Journal, Volume 123A. Constable, 1866 |
From inside the book
Results 1-5 of 86
Page 14
... appear to be , or be in reality , every fresh wetting of the surface will , for a period of indefinite length , cause the bricks to throw out certain salts in solution which effloresce on the surface of the plaster laid on them . This ...
... appear to be , or be in reality , every fresh wetting of the surface will , for a period of indefinite length , cause the bricks to throw out certain salts in solution which effloresce on the surface of the plaster laid on them . This ...
Page 16
... appears . But after some time , especially if the surface is not occasionally moistened , the superadded colour will not mix with what is underneath . It is usual to try the tints on a brick or tile that absorbs moisture , in order to ...
... appears . But after some time , especially if the surface is not occasionally moistened , the superadded colour will not mix with what is underneath . It is usual to try the tints on a brick or tile that absorbs moisture , in order to ...
Page 17
... appear quite streaky , though nothing of the kind is perceptible while it is moist . Mr. Taylor and an American artist painted two heads without properly mixing their tints , and the result was , in the words of the American , that the ...
... appear quite streaky , though nothing of the kind is perceptible while it is moist . Mr. Taylor and an American artist painted two heads without properly mixing their tints , and the result was , in the words of the American , that the ...
Page 19
... appear as dark spots . It is a moot point how far retouching in secco is allowable . Vasari calls it ' cosa vilis- ' sima . ' But Cennini says , Remember everything you paint ' in fresco must be finished and retouched in secco with tem ...
... appear as dark spots . It is a moot point how far retouching in secco is allowable . Vasari calls it ' cosa vilis- ' sima . ' But Cennini says , Remember everything you paint ' in fresco must be finished and retouched in secco with tem ...
Page 22
... art was the slave of his means , since whatever was the style of subject to be treated in fresco , and however simple in its design it might appear , the obstacles to be overcome were 22 Jan. Modern Fresco - Painting .
... art was the slave of his means , since whatever was the style of subject to be treated in fresco , and however simple in its design it might appear , the obstacles to be overcome were 22 Jan. Modern Fresco - Painting .
Other editions - View all
Common terms and phrases
appears army Austrian CCLI character clergy Conches Congress Constitution Court CXXIII dialogue difficulties districts doctrine doubt Duke England English Erckmann-Chatrian evidence evil existing fact favour feel Feuillet de Conches France Frederic freedmen French fresco gallons give Gorgias Government Grote hand Hippias honour House interest Irish Church King labour laws less letters Loch Katrine London Lord Lord Palmerston Louis XVI Madame Magyar Marie Antoinette marriage matter Mazarin means ment Metropolis mind Minister moral Museum nature never object opinion Parliament Parmenides party passed persons philosopher Plato political population position present Prince Charles principle Protagoras Protestant Queen question reason Reform remarkable rendered represented Republic river Roman Catholic royal Shakspeare Sokrates Sophists Struensee supply Thames things thought tion towns Transylvania truth Union virtue whole Windham words writings Xenophon καὶ
Popular passages
Page 177 - This royal infant, (heaven still move about her !) Though in her cradle, yet now promises Upon this land a thousand thousand blessings, Which time shall bring to ripeness: She shall be (But few now living can behold that goodness,) A pattern to all princes living with her, And all that shall succeed...
Page 168 - Flying between the cold moon and the earth, Cupid all arm'd : a certain aim he took At a fair vestal throned by the west, And loosed his love-shaft smartly from his bow, As it should pierce a hundred thousand hearts : But I might see young Cupid's fiery shaft Quench'd in the chaste beams of the watery moon, And the imperial votaress passed on, In maiden meditation, fancy-free.
Page 381 - Every thing that heard him play, Even the billows of the sea, Hung their heads, and then lay by. In sweet music is such art, Killing care and grief of heart Fall asleep, or hearing die.
Page 367 - Of his chamber in the east. Meanwhile, welcome joy and feast, Midnight shout and revelry, Tipsy dance and jollity.
Page 368 - Wisdom's self Oft seeks to sweet retired solitude ; Where, with her best nurse, Contemplation, She plumes her feathers, and lets grow her wings, That in the various bustle of resort Were all too ruffled, and sometimes impair'd. He that has light within his own clear breast, May sit i...
Page 371 - We will return no more;" And all at once they sang, "Our island home Is far beyond the wave; we will no longer roam.
Page 380 - SHE dwelt among the untrodden ways Beside the springs of Dove, A Maid whom there were none to praise And very few to love. A violet by a mossy stone Half hidden from the eye ! — Fair as a star, when only one Is shining in the sky. She lived unknown, and few could know When Lucy ceased to be; But she is in her grave, and, oh, The difference to me...
Page 381 - Orpheus with his lute made trees, And the mountain tops that freeze, Bow themselves, when he did sing: To his music plants and flowers Ever sprung ; as sun and showers There had made a lasting spring.
Page 80 - Of these the Archbishop of Canterbury, the Lord Chancellor, and the Speaker of the House of Commons are termed the Principal Trustees.
Page 152 - Cade. Nay, that I mean to do. Is not this a lamentable thing, that of the skin of an innocent lamb should be made parchment ? that parchment, being scribbled o'er, should undo a man ? Some say, the bee stings ; but I say, 'tis the bee's wax, for I did but seal once to a thing, and I was never mine own man since.