RelationsJonathan Cape, 2003 - 279 pages "In this remarkable book, Jane Miller writes about the experiences of being a daughter and a sister, of the intensities of family life and of the illuminations that come from the last days and death of parents. Relations offers a portrait of a record-keeping, middle-class kinship, reaching back into the past, which begins from her parents' long marriage, its mysteries and incompatibilities, their shared sense of themselves as artists - she as a painter, he as a pianist. It was a marriage marked by the dismay it met with from both their families. Writing about these things leads Miller to further explorations: her relations with her maternal grandfather, Redcliffe Salaman, scientist, historian, secular Jew, and his with his devoutly Jewish wife. Her father's family were Unitarian - Dissenters since the 17th century - and her great-grandfather, Collet Dobson Collet, was known for his role in the successful campaign to liberate the press from the 'taxes on knowledge' imposed by government and for his friendship with Karl Marx. Collet's daughter Clara was one of the first women civil servants, and an economist who was involved in the first stirrings of the Welfare State. Here are the t |
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Page 14
... give Calvados to babies who cried in the night . My parents were students in Paris . My father was studying the piano , with Isidore Philipp , and my mother went to classes taught by the printmaker Stanley William Hayter . The painter ...
... give Calvados to babies who cried in the night . My parents were students in Paris . My father was studying the piano , with Isidore Philipp , and my mother went to classes taught by the printmaker Stanley William Hayter . The painter ...
Page 121
... give me every facility for preparing myself for the Intermediate Arts exami- nation in July 1879 and the final B.A. in October 1880 [ 1st BA and 2nd BA in those days ] . Masters from the Boys ' Grammar School would give me les- sons in ...
... give me every facility for preparing myself for the Intermediate Arts exami- nation in July 1879 and the final B.A. in October 1880 [ 1st BA and 2nd BA in those days ] . Masters from the Boys ' Grammar School would give me les- sons in ...
Page 142
... results . ' She also sets her own investigative work alongside his and Gissing's work as novelists : ' I take your experience as you give it in Immortal Youth seriously , and I am giving you mine because from 142 Miss Collet.
... results . ' She also sets her own investigative work alongside his and Gissing's work as novelists : ' I take your experience as you give it in Immortal Youth seriously , and I am giving you mine because from 142 Miss Collet.
Contents
Portrait of an Artist | 1 |
The Potato Man | 26 |
Three Sisters | 59 |
Copyright | |
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asked aunt Balfour Declaration became become beginning believed boys brother called Cambridge century child Clara Collet daughter died early England English especially expected fact father feel felt friends garden girls Gissing give given grandfather hope imagine interest Jewish Jews John Joseph kind knew later learned least less letters lived London looks male marriage married Marx Mary memory Miss mother moved never occasionally older once parents particular perhaps playing political possible probably published relations remember Salaman seems sense sent sexual sister sometimes Sophy story student studying teacher teaching tell things thought tion told took train University wanted wife woman women wonder writing written wrote young younger