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THE AUTHOR:

A MONTHLY MAGAZINE TO INTEREST AND HELP ALL LITERARY WORKERS.

VOL. I.

BOSTON, JANUARY 15, 1889.

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how he lives, what kind of man he is when he

lays aside his full-dress suit of types and binding,

and eats, or sleeps, or talks like an ordinary

person. Of the biographies that appear every

month, the biographies of literary men are far

in the predominance. Books of anecdote, table-

talk, reminiscence, treat for the most part of

men of letters. The lions of a metropolis are

literary lions, literary at least to the extent of

clever after-dinner speaking or skill in touching

off a story. How desperate have been the en-

deavors to track Shakespeare, through his Son-

nets, his "Tempest," his Prince Hal, to that

hiding-place where his baffling personality has

retreated! It is a great point gained, everyone

feels, if it may reasonably be inferred from the

Sonnets that Shakespeare the actor, working

among associations that soil and stain, felt his

sensitive nature recoil, as it became "subdued

to what it works in, like the dyer's hand"; or if

from the Tempest " we may identify Prospero

with the friendly magician who, as the almost

unknown playwright, has created so much for

the world. Every shred of fact about such a

personality is precious. Nor are men exacting

about facts poetical or mysterious. They like

to read, also, at their breakfast-tables that Mr.

Whittier spent his eighty-second birthday quiet-

ly at home, receiving his friends, and that Lord

Tennyson was removed the other day, in a

special invalid's car, from Aldworth to Farring-

ford, where he will spend the winter. All the

prose of a poet's life the world insists on trans-

muting into poetry. Pilgrimage to holy shrines

is not antiquated, it has only taken the new

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