Picturesque Landscape and English Romantic PoetryHutchinson Educational, 1970 - 210 pages |
From inside the book
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Page 14
... picture . With the help of this glass , travellers saw scenes very like those in Claude's pictures , or , in mountainous places , landscapes after Salvator Rosa . Among the most popular picturesque attractions were landscapes with ...
... picture . With the help of this glass , travellers saw scenes very like those in Claude's pictures , or , in mountainous places , landscapes after Salvator Rosa . Among the most popular picturesque attractions were landscapes with ...
Page 19
... picture ' ( p . xii ) . This was satisfactory enough for most people who admired landscape with an eye to its pictorial possibilities ; but at the end of the century came the attempt to define the picturesque more accurately , and the ...
... picture ' ( p . xii ) . This was satisfactory enough for most people who admired landscape with an eye to its pictorial possibilities ; but at the end of the century came the attempt to define the picturesque more accurately , and the ...
Page 113
... picture item by item . That he had a wider knowledge of landscape painting is shown by his comparison between the poetry and painting of the sixteenth and seventeenth centuries , and that of his own day . In modern landscape paintings ...
... picture item by item . That he had a wider knowledge of landscape painting is shown by his comparison between the poetry and painting of the sixteenth and seventeenth centuries , and that of his own day . In modern landscape paintings ...
Contents
Preface | 7 |
The Picturesque at Work | 21 |
The individual experience Gray and Walpole | 50 |
Copyright | |
10 other sections not shown
Common terms and phrases
Abbey appear appreciation approach attempt beautiful becomes Book Byron Castle clouds Coleridge colours connected Constable contrast deep delight described District Dorothy early effect England English example experience feeling figure followed forms Gilpin give Gray green hand hills idea ideal imagination important influence inspiration interest Italy John Keats kind Lakes land landscape later Letters light lines living London look mean mind mountains nature never objects Observations original Oxford painter painting particularly passed picture picturesque pleasure poem poet Poetical poetry Prelude produce qualities river rocks romantic round scape scene scenery Scotland Scott seems seen sense setting shade Shelley side sight spirit stream Studies sublime suggests Summer things Thomson thought Tintern Tour traveller trees turn University vision walk Walpole whole winding woods Wordsworth writing wrote