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Thou in chambering and in wine With thy riot revellers joining, Badest those menial knaves of thine Give no ear to plaint or pining, But, heedless of my cries, to drag Through the snow the beggar-hag." Thy mandate was obey'd: I fell, And bound to earth by icy spell, With the infant which I cherish'd, Unpitied in that snow-grave perish'd. Ruthless! thou hadst feeling none For my frozen death-bed groan!

Chorus of Birds.

Ruthless! feeling thou hadst none:
Feel now for thyself alone.
Eagle, vulture, kite, &c. (as before.)
Spirit.

Is no succour-rescue near?
See my food these harpies tear!
Nought prevaileth pious prayer;
Nought may save me from despair-
Nor churchly rites, nor holy lay,
Chaunted on this solemn day,

Nought can now their vengeance stay. Then am I doom'd for aye to suffer still; So hath stern fate decreed its sterner will, Him who on earth wore but the shape of

man,

No mortal prayer may free from judgment ban.

Chorus.

Yes thou art doom'd to suffer thus for ever, From such a fate no prayers of ours deliver; For who on earth wore but the shape of man, Our solemn rites free not from judgment ban.

Seer.

If 'tis so, away, away!
Wherefore, Spectre, should'st thou stay?
Thee, not human when alive,
From our presence now we drive.
Expel him in the Father's name,
In the Son's and Spirit's, too;
Lo! the Cross thy guilt to shame!
Hence, and take thy portion due!
Chorus.

Guilty soul, away, away!

Seer.

Now obey my invocation,

Ye who dwelt in youth and beauty, Yet mid frailty and temptation

Never swerv'd from virtue's duty, Mundane joys and gauds despising While on earth,-nor higher prizing Than these mystic herbs, that burning, Are to ashes now returning.

As these too never yielded fruit,
Gave not food for man or brute;
Nor deck'd the brow of blooming maid,
But votively our fane arrayed,
Hung above our altar high,
So our thoughts were on the sky.
Still among ye if there be
Who Paradise may not yet see,
By this mystic rite we urge him
From his soul's last stain to purge him.
(Vision of a Maiden appears.)

As the bow the clouds athwart
Flings its arch with rich gems fraught,
Till mirror'd in the lake 'tis gleaming,
Yon form of more than earthly seeming,
Mien that may with angels vie,

Comes in robe like new-formed snow;
Yet a tear is in her eye,

Yet a grief upon her brow.
Chorus.

With that mien may angels vie;

Shines her robe like new-formed snow; Yet dims a tear her sorrowing eye,

Yet a grief is on her brow.

Seer.

Round her head a chaplet wreathes;
In her hand a fair flower breathes ;
Plays a lambkin wild before her,
A butterfly is hovering o'er her.
Fain would she the lambkin reach,
But it heedeth not her speech;
Fain to catch the insect trieth,
But its upward flight denieth.

The Maiden's Spirit.

Erst was I Tana fair and young,
My charms the theme of every tongue;
But though many for me burned,

Of none the passion I returned;

Wherefore should'st thou longer stay? Cold to love, its prayers I spurn'd ;—

Who was not human, &c. &c.

Never may we meet agen,
So we pray.-Amen, amen!

(The Spirit vanishes.)
Seer.

On this snake-form'd wand of mine
Ye a chaplet fix, and twine;
And I its flower-leaves will kindle
Till to burning smoke they dwindle.
Chorus.

Again new signs to sight appear,
To fill our hearts with hope or fear.

Gay and careless never needed
Lover, nor his suffering heeded.
Happy as a sportive girl

With flowers to braid my tresses' curl,
The gold-wing'd butterfly to chase,
Or some fondling bird embrace,
Never did I lend my ear
When some idle youth drew near,
When his amorous suit would press;
Ne'er would I its meaning guess.
Twice ten summers' past like this
Free from sorrow,-void of bliss,

Were mine; and-wherefore, know I not,
No bliss is in my present lot.

I seem to pine for something miss'd:
Free to fly where'er I list,

With wing that far outstrips the gale,
I sweep o'er wood, and plain and vale.
Now, I of the rainbow weave
A bright-dyed veil for sunset eve;
Now, the dewy pearls I change

For gemmed flies o'er meads that range.
Still some wish-strange, undefin'd,
Ever haunts my restless mind;
Still I seem to lack some mate
To cheer my ever lonely state.
Yet there appeareth to me none;
Still alone where'er I rove.
Restless, listless, all in vain
I tell my heart, this is not pain.
As heretofore, so now I seem
To live but in a vacant dream.
Could I feel grief, it would grieve me
Earth nor heaven will now receive me.
Chorus.

Yes, it is for thee decreed,
In such state to rest, unfreed:
Nor to thee may it be given

To dwell on earth, or enter heaven.
Seer.

Still if aught our prayers avail thee,
At this hour, they shall not fail thee.
Is't for fruits of earth thou yearnest ?
Or our supplication earnest ?
Lo! we offer fruits or prayer,
So either save thee from despair,
Whate'er thou listest freely choose thee,
So paradise may not refuse thee.
Spirit.

Nought of those do I require:
I may know no state that's higher.
Wherefore with thine offers pain'st me?
Paradise is shut against me.
Yet, tho' heaven I may not enter,
Let me heavenward take my flight,
And from that sphere, peradventure,
I may draw some creature bright
To this nether world, and cheer
With him my solitude, till here

I seem to dwell in heaven's own sphere.
Seer.

Vain such wish: still do not grieve thee,
Yet shall paradise receive thee.
The veil of dread futurity,
Pierced by my prophetic eye:
When two circling years have pass'd
Such shall thy state be at last.
Vain our incense now, and vain
Our prayer to help thee heaven to gain,
Heaven, nathless, thou shalt inherit :
With this console thee, joyless Spirit.
(Spirit vanishes.)

Whoso doubteth-heedeth not,
Let him flee this sacred spot,
And in the Father's name avaunt,
In the Son's, the Spirit's too;
Let such abstain our mystic chaunt;
And this Cross's sight eschew.
Such enter not our fane again,
So we pray. Amen, amen!
Chorus.

Whoso doubteth, &c.

Seer.

Let us now our temple strew
With leaves of poppy and their dew:
Ended is our solemn rite;

Now your quenched tapers light.
Hark! the herald-bird of morn
Tells us 'tis already dawn;
Let me, then, ere ye disperse
Closing prayer for all rehearse.
But hold! what strange portent is yonder?
Filling all my mind with wonder.

Chorus.

Wonders still our eyes salute,
And our tongues are stricken mute!
Seer.

Who art thou in sable weed?
Woman, dost our voice not heed?
Wherefore sitt'st thou on that tomb?
Ah! the walls begin to shake,
The loosening floor to heave and quake,
And from forth its yawning womb
A phantom rises, grisly, grim;
Lo! in silence, by her side
He takes his seat, and she by him,
Her spectre bridegroom, she his bride.
On her turn'd that ghastly face,
As he waited her embrace.
Horrid sight! more frightful yet
Runs a sanguine streak all wet
From its bosom to its feet.
Doth our eyes some sorcery cheat?
See-it pointeth to its breast,

Yet what it means may not be guess'd.
Chorus.

See-it pointeth to its breast,
Yet its wish may not be guess'd.
Seer.

Spirit, I adjure thee, speak;
Tell us what thou here dost seek,
Prayer that heaven propitiates,
Earth's blessed fruits or other cates?
Phantom, give us answer some:
No! it still remaineth dumb.
Chorus.

Phantom, &c.

Seer. If reply thou deignest none, Hence, and from our fane begone. Whoso heareth-heedeth not, Let him flee this sacred spot,

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We shall speedily resume these selections from a poetry so entirely and so undeservedly unknown to England.

ART. VII.--Fermer der Geniale.--(Fermer the Genius.) A Novel by Lewis Tieck; translated into English, with Philological Notes, and an Essay on the Author, by Ferdinand Marckwort. London and Brunswic. 1837.

GENIUS! What a world of imaginations and recollections are wakening at the name! One sense of ineffable, unenviable glory, the pinnacle of a precipice, which some desire, but all dread: the height to which we climb perhaps in a dream, and slip from, only to perdition; or, waking, thank our stars we never tried it in reality. Such is genius in its own proud, solitary, and irrevocable position, from which, like the thoughtless sea-boy who placed his foot on the top-mast head, there is no medium, no descent, but a plunge into the yawning sea. Such was Napoleon's, who conquered all things, even hope; too great to leave himself the possibility of permanence. Such was Scott's, accumulating lands and debts; such Byron's, dazzling Europe, to die in its obscurest corner; and such, though in minor degree, the lot of those who can boast nothing of credit but dishonoured bills, and whose sole hope of remembrance rests not in their own but their tailors' books, where they stand immortalized from generation to generation, without a chance of their names being effaced.

But what is genius? a spirit that makes all happy but itself and its tradesmen. This is scarcely a sufficient definition,-folly itself might rival half this: or does it bring happiness to its possessor in despite of storms? goodness alone can do so much :or does it join with others to make every moment happy? assuredly not by any means-but if the contrary, there is a vast deal of unsuspected genius in the world.

But genius when it works, which is not often, works prodigies, --and without any apparent means; it is a kind of mental engine, substituting steam; and empty pockets are its locomotive power; a power, unfortunately, never new, but yet in constant activity. Nature, said the philosophers, terribly abhors a vacuum, and makes every effort to obtain a plenum by the materia subtilis ; so does her favoured son: both, on the same system, carry it out to the utmost of their means and spread it wherever they go or try to go it is a power that is substance in vacuity, and in obscurity, light: that in coldness wakes warmth and glows amid destitution: that whispers to leaves, and feeds the fountains of the stars, and mingles with the soul's overflowings; bears the voice of winds, and holds the planets in their aerial course, and fills, though unseen, the blank intervals of life itself with a glow and a balm, of etherial ecstacy. In short does every thing but get money.

This power is, however, considerably cut down by the demonstrative system of modern invention: the older lucubrations of the Aristotelian, moral, critical, or even poetic, are met by the New Method of Bacon's disciples; the speculative philosophy that attempts the cashing of a hopeless bill is put down by the practical philosophy that refuses the money; and "genius free to range" no longer, is confined to Rules, if not of reason, yet of the Fleet-there it joins companionship wild and bad; tarnishes its wings in the foul stream of Fleta; takes unto it seven other spirits more wicked than itself; and since it cannot reach heaven in its pride of solitary flight, is satisfied to fill its belly with the husks of swine.

Is this genius? that diamond ray, light without heat, and though dazzling every eye yet cold and hard as the mere stone? Goethe, himself a doubtful character, quarrelled with the word in purest German, and insisted on altering its nature through its name which he chose to call Geniale. And thus speaks the worthy translator

"Genial is a word which frequently occurs in works written during these forty years, and it is particularly Goethe, who has nationalized it and fixed to it a meaning which, though it never answers the English word genial, (procreating, festive, gay) combines the humorous, the deep and the original, in a word, great powers of intellect. The English word genius conveys a meaning rather too elevated for the intention of the author. Genial is a word which even the most rigorous purists will probably never succeed to proscribe, as there does not exist in the German language (not the dictionary only, which can hardly contain the third part of a modern language) a word equally comprehensive and including such different ideas at once; and we feel the more and more that the employment of words ought to be subjected to the clearness of the idea, that language is merely a vehicle, and that, in general, the admission of foreign words, if restrained, is highly susceptible of enlarging the indigenous materials of a language."-p. 81.

We shall never, as philologists, and as critics likewise, be surprised at the impossibility existing for the purists to proscribe the word, since the most rigorous of themselves even, upon paper, are not in the least disposed to varnish the thing. The purists as men of undoubted genius, whatever it may consist of with them, are too intimate with the niceties of language not to know that a close mutual relation and affinity exists between the words themselves in the first place, and their application in the second: for placed in the best company, that is to say with the best of cheer, we can aver upon our judgment as critics that the sternest of them never showed the slightest wish to get rid of the term, unless in the abstract.

Fermer, however, is of a different class, for he is merely a

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