The Humanities in Contemporary LifeRobert Franklin Davidson Holt, 1960 - 656 pages |
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Page 298
... BEGINNING of our century , a reac- tion took place against realism and impres- sionism as trends adhering too faithfully to nature . To find the essence , the truth , the absolute in art , the new painters began to distort the shape of ...
... BEGINNING of our century , a reac- tion took place against realism and impres- sionism as trends adhering too faithfully to nature . To find the essence , the truth , the absolute in art , the new painters began to distort the shape of ...
Page 380
... beginning , middle , and end . The action begins at a certain point , rises toward a climax , and then falls to a denouement . One can diagram a classical plot of this kind by means of a triangle whose apex represents the climax with ...
... beginning , middle , and end . The action begins at a certain point , rises toward a climax , and then falls to a denouement . One can diagram a classical plot of this kind by means of a triangle whose apex represents the climax with ...
Page 383
... beginning , middle , or end . Compare Godbole's song with the structure of an aria from an Italian opera . In the latter we have a beginning , a development through certain predictable phases toward the inevitable climax of the high ...
... beginning , middle , or end . Compare Godbole's song with the structure of an aria from an Italian opera . In the latter we have a beginning , a development through certain predictable phases toward the inevitable climax of the high ...
Contents
Social Orientation in Philosophy 26 | 26 |
Social Idealism as Religion | 62 |
The Social Significance of Architecture | 86 |
Copyright | |
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American anti-intellectual architecture artist beauty become believe building called century Cézanne Christian church color contemporary Copyright Corbusier cowboy Crane Brinton creative cubism doctrine Elwin emotional ence esthetic ethical evil existence experience expression eyes fact faith feeling forces Frank Lloyd Wright Freud Guernica HONORÉ DAUMIER human ideal ideas impressionism impressionists individual intellectual jazz Johnnie kind Le Corbusier light living logical look Margaret Marxist means ment mind modern art moral movement nature never object organization PABLO PICASSO painters painting person philosophy Picasso picture problem proletariat question reality reason religion religious Reprinted by permission scientific Scully seems sense social society spirit super-ego Swede symbols symphony Taliesin theme theory things thought tion tradition true truth ture understand Unity Temple University values VINCENT VAN GOGH whole words