The Humanities in Contemporary LifeRobert Franklin Davidson Holt, 1960 - 656 pages |
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Page 304
... picture will invariably be more detailed than another , and the surface of the picture at that point , in consequence , more labored . The impres- sionists solved the problem and arrived at an equalized surface by adopting a neutral ...
... picture will invariably be more detailed than another , and the surface of the picture at that point , in consequence , more labored . The impres- sionists solved the problem and arrived at an equalized surface by adopting a neutral ...
Page 305
... picture instead . But if the impressionists found little inspiration in poetry itself , the poetry of applied science , on the other hand , they found extremely useful . Indeed the whole originality of the impressionists derives from ...
... picture instead . But if the impressionists found little inspiration in poetry itself , the poetry of applied science , on the other hand , they found extremely useful . Indeed the whole originality of the impressionists derives from ...
Page 513
... picture . These con- tents are indeed what the spectator lives or feels while under the effect of the form and color combinations of the picture . This picture is nearly in the shape of a cross . . . . The presence of the cannons in the ...
... picture . These con- tents are indeed what the spectator lives or feels while under the effect of the form and color combinations of the picture . This picture is nearly in the shape of a cross . . . . The presence of the cannons in the ...
Contents
Social Orientation in Philosophy 26 | 26 |
Social Idealism as Religion | 62 |
The Social Significance of Architecture | 86 |
Copyright | |
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American anti-intellectual architecture artist beauty become believe building called century Cézanne Christian church color contemporary Copyright Corbusier cowboy Crane Brinton creative cubism doctrine Elwin emotional ence esthetic ethical evil existence experience expression eyes fact faith feeling forces Frank Lloyd Wright Freud Guernica HONORÉ DAUMIER human ideal ideas impressionism impressionists individual intellectual jazz Johnnie kind Le Corbusier light living logical look Margaret Marxist means ment mind modern art moral movement nature never object organization PABLO PICASSO painters painting person philosophy Picasso picture problem proletariat question reality reason religion religious Reprinted by permission scientific Scully seems sense social society spirit super-ego Swede symbols symphony Taliesin theme theory things thought tion tradition true truth ture understand Unity Temple University values VINCENT VAN GOGH whole words