The North American Review, Volume 240University of Northern Iowa, 1935 |
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Page 271
... Grant Wood . Wood and a handful of American painters are tasting the joy of being accepted in their own communities . Working in regions where they are at home , they are painting pictures their neighbors can understand . They have ...
... Grant Wood . Wood and a handful of American painters are tasting the joy of being accepted in their own communities . Working in regions where they are at home , they are painting pictures their neighbors can understand . They have ...
Page 275
... Wood stopped short of satire here , but failed to lead us on toward pity or tenderness for his models . How does he feel about these neighbors of his ? Are they lovable folk or not ? Our eyes are ... GRANT WOOD , PAINTER IN OVERALLS [ 275 ]
... Wood stopped short of satire here , but failed to lead us on toward pity or tenderness for his models . How does he feel about these neighbors of his ? Are they lovable folk or not ? Our eyes are ... GRANT WOOD , PAINTER IN OVERALLS [ 275 ]
Page 277
... Wood tries to paint motion at its height , only to prove that calmer moments are his métier . For at the pitch of excitement , organization of form reaches out a dead hand . There is little terror ... GRANT WOOD , PAINTER IN OVERALLS [ 277 ]
... Wood tries to paint motion at its height , only to prove that calmer moments are his métier . For at the pitch of excitement , organization of form reaches out a dead hand . There is little terror ... GRANT WOOD , PAINTER IN OVERALLS [ 277 ]
Contents
Who Bred these Utopias? CHARLES MAGEE ADAMS | 8 |
Corporate Reserves vs Prosperity DAVID FIGART | 27 |
How Spring Comes in Georgia Verse THOMAS CALDECOT CHUBB | 45 |
Copyright | |
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