The North American Review, Volume 240University of Northern Iowa, 1935 |
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Page 61
... poets of our own day , like O'Neill , are often less keenly aware of what they are doing when they " create " characters which represent the many " selves " of a single person . The poet , let us say , is acutely disturbed by signs of ...
... poets of our own day , like O'Neill , are often less keenly aware of what they are doing when they " create " characters which represent the many " selves " of a single person . The poet , let us say , is acutely disturbed by signs of ...
Page 62
... poet . The play ends by being a complete description of his fear of the effect of pride . The more sensitive the poet , the more apt he is to " project " after this fashion a great diversity of struggles between the divided selves . An ...
... poet . The play ends by being a complete description of his fear of the effect of pride . The more sensitive the poet , the more apt he is to " project " after this fashion a great diversity of struggles between the divided selves . An ...
Page 65
... poet , then , we may expect to find a spiritual progression corresponding very closely to age - old inner struggles of the human race . This provides the inner unity to the poet's work . In the case of O'NEILL [ 65 ] - AND THE POET'S QUEST.
... poet , then , we may expect to find a spiritual progression corresponding very closely to age - old inner struggles of the human race . This provides the inner unity to the poet's work . In the case of O'NEILL [ 65 ] - AND THE POET'S QUEST.
Contents
Who Bred these Utopias? CHARLES MAGEE ADAMS | 8 |
Corporate Reserves vs Prosperity DAVID FIGART | 27 |
How Spring Comes in Georgia Verse THOMAS CALDECOT CHUBB | 45 |
Copyright | |
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