Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 83Gale Research Company, 1984 |
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Page 242
... Mistress Gallipot nor her companion Mistress Openwork will actually get seduced . For Laxton's remarks about Mistress Gallipot's wit illustrate not his admiration but his fear of it ; he is in fact a reluctant wooer , simulating lust ...
... Mistress Gallipot nor her companion Mistress Openwork will actually get seduced . For Laxton's remarks about Mistress Gallipot's wit illustrate not his admiration but his fear of it ; he is in fact a reluctant wooer , simulating lust ...
Page 251
... Mistress Ford asks angrily : ' What tempest , I trow , threw this whale with so many tuns of oil in his belly , ashore at Windsor ? ' ( 2.1.61 ) This could almost be Prince Hal elaborating on the ' Manningtree ox ' , though it is more ...
... Mistress Ford asks angrily : ' What tempest , I trow , threw this whale with so many tuns of oil in his belly , ashore at Windsor ? ' ( 2.1.61 ) This could almost be Prince Hal elaborating on the ' Manningtree ox ' , though it is more ...
Page 252
... Mistress Ford is so simple that she has been taken in by a display that would fool nobody else . ( Master Ford's notorious jealousy would have some basis in that case . ) If so , her subsequent anger is a reaction to being made a fool ...
... Mistress Ford is so simple that she has been taken in by a display that would fool nobody else . ( Master Ford's notorious jealousy would have some basis in that case . ) If so , her subsequent anger is a reaction to being made a fool ...
Contents
Cumulative Character Index | 355 |
Cumulative Topic Index | 367 |
Cumulative Topic Index by Play | 391 |
Copyright | |
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abuse Achilles appears Arcite audience Bassanio becomes Brutus Cambridge catastrophe characters Christian comedy comic Cordelia critics daughter death desire Diomedes disguise dramatic Edgar Edmund effeminacy Elizabethan Emilia English erotic essay Falstaff fantasy father feel Fool friends friendship Gentlemen of Verona Gloucester Gloucester's gods Goneril Greek grotesque body Hamlet Hector Helen Henry heterosexual homosexual homosocial Horatio husband identity John Kent King Lear language Lear's literary London lover male bonds manly marriage masculinity ment Merchant of Venice Merry Wives nature Noble Kinsmen Palamon Pandarus petty treason play's plot political Press prince Proteus Regan relationship Renaissance Rosencrantz same-sex says scene seems sense sexual Shake Shakespeare Shakespeare's play social sources speak speare speare's speech stage storm story suggests thee theme Thersites thou Timon tion tragedy Troilus and Cressida Troilus's Trojan Troy Twelfth Night Valentine wife Wives of Windsor woman women words York