Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 83Gale Research Company, 1984 |
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Page 69
... appears as an essential detail in both Prodigalita and Pieta . " To have a liberal hand may thus be a sign of immense goodness and nobility , or it may mean unpardonable folly . In Timon , goodness and prodigality are inseparably bound ...
... appears as an essential detail in both Prodigalita and Pieta . " To have a liberal hand may thus be a sign of immense goodness and nobility , or it may mean unpardonable folly . In Timon , goodness and prodigality are inseparably bound ...
Page 211
... appears , and claims his right to challenge the traitor Edmund . The unknown knight is of course Edgar , still disguised . Upon his entry , Edgar has the credentials of the dramatic catastrophe . He appears from off stage , and is ...
... appears , and claims his right to challenge the traitor Edmund . The unknown knight is of course Edgar , still disguised . Upon his entry , Edgar has the credentials of the dramatic catastrophe . He appears from off stage , and is ...
Page 219
... appears to dictate and to signalize his conformity with public opinion , there is no doubt that the writer of An Affair of Dishonour— . . . myself — should have made that work not only Early Victorian but Suburban . For , as I ...
... appears to dictate and to signalize his conformity with public opinion , there is no doubt that the writer of An Affair of Dishonour— . . . myself — should have made that work not only Early Victorian but Suburban . For , as I ...
Contents
Cumulative Character Index | 355 |
Cumulative Topic Index | 367 |
Cumulative Topic Index by Play | 391 |
Copyright | |
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abuse Achilles appears Arcite audience Bassanio becomes Brutus Cambridge catastrophe characters Christian comedy comic Cordelia critics daughter death desire Diomedes disguise dramatic Edgar Edmund effeminacy Elizabethan Emilia English erotic essay Falstaff fantasy father feel Fool friends friendship Gentlemen of Verona Gloucester Gloucester's gods Goneril Greek grotesque body Hamlet Hector Helen Henry heterosexual homosexual homosocial Horatio husband identity John Kent King Lear language Lear's literary London lover male bonds manly marriage masculinity ment Merchant of Venice Merry Wives nature Noble Kinsmen Palamon Pandarus petty treason play's plot political Press prince Proteus Regan relationship Renaissance Rosencrantz same-sex says scene seems sense sexual Shake Shakespeare Shakespeare's play social sources speak speare speare's speech stage storm story suggests thee theme Thersites thou Timon tion tragedy Troilus and Cressida Troilus's Trojan Troy Twelfth Night Valentine wife Wives of Windsor woman women words York