Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 83Gale Research Company, 1984 |
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Page 169
... death in the hour of victory , Bayley on the " painful unfairness " of her death . Another critic writes of " her innocent yet ignominious death " ; Charl- ton states , " her death is sacrificial . " Chambers thinks that Shakespeare ...
... death in the hour of victory , Bayley on the " painful unfairness " of her death . Another critic writes of " her innocent yet ignominious death " ; Charl- ton states , " her death is sacrificial . " Chambers thinks that Shakespeare ...
Page 204
... death of Cordelia more keenly than his keenest critics , and reinforcing both the pain and the meaning of her death by the fact that it is not intrinsic to the play , that she might have been saved had Ed- mund spoken earlier , and that ...
... death of Cordelia more keenly than his keenest critics , and reinforcing both the pain and the meaning of her death by the fact that it is not intrinsic to the play , that she might have been saved had Ed- mund spoken earlier , and that ...
Page 348
... death poses a problem . In Troilus and Cressida there is no insistence on Achilles ' grief for Pa- troclus ' death at the hands of Hector . Thus Hector's death is almost unjustified , or only justified as an act of violence through ...
... death poses a problem . In Troilus and Cressida there is no insistence on Achilles ' grief for Pa- troclus ' death at the hands of Hector . Thus Hector's death is almost unjustified , or only justified as an act of violence through ...
Contents
Cumulative Character Index | 355 |
Cumulative Topic Index | 367 |
Cumulative Topic Index by Play | 391 |
Copyright | |
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abuse Achilles appears Arcite audience Bassanio becomes Brutus Cambridge catastrophe characters Christian comedy comic Cordelia critics daughter death desire Diomedes disguise dramatic Edgar Edmund effeminacy Elizabethan Emilia English erotic essay Falstaff fantasy father feel Fool friends friendship Gentlemen of Verona Gloucester Gloucester's gods Goneril Greek grotesque body Hamlet Hector Helen Henry heterosexual homosexual homosocial Horatio husband identity John Kent King Lear language Lear's literary London lover male bonds manly marriage masculinity ment Merchant of Venice Merry Wives nature Noble Kinsmen Palamon Pandarus petty treason play's plot political Press prince Proteus Regan relationship Renaissance Rosencrantz same-sex says scene seems sense sexual Shake Shakespeare Shakespeare's play social sources speak speare speare's speech stage storm story suggests thee theme Thersites thou Timon tion tragedy Troilus and Cressida Troilus's Trojan Troy Twelfth Night Valentine wife Wives of Windsor woman women words York