Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 83Gale Research Company, 1984 |
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Page 118
... kind of exemplum Gorboduc is . An audience's experi- ence of an exemplum is relaxing . Each act of Gorboduc begins with a dumb show , an allegorical abstract of the ideas to be embodied in the ensuing action , and closes with a ...
... kind of exemplum Gorboduc is . An audience's experi- ence of an exemplum is relaxing . Each act of Gorboduc begins with a dumb show , an allegorical abstract of the ideas to be embodied in the ensuing action , and closes with a ...
Page 203
... kind of play should we be , however , and in what kind of world , if the ac- tion were to end with act 4 , when Lear has been cured ( possibly by the " kind gods " ) and reconciled to his daughter , when Gloucester has been prevented ...
... kind of play should we be , however , and in what kind of world , if the ac- tion were to end with act 4 , when Lear has been cured ( possibly by the " kind gods " ) and reconciled to his daughter , when Gloucester has been prevented ...
Page 267
... kind of Elizabethan Ev- eryman ( p . lxxi ) . In addition to its well - known usages denoting chivalric attendant or household errand - boy , the Oxford English Dictionary records an unflattering sixteenth - century usage of page : " A ...
... kind of Elizabethan Ev- eryman ( p . lxxi ) . In addition to its well - known usages denoting chivalric attendant or household errand - boy , the Oxford English Dictionary records an unflattering sixteenth - century usage of page : " A ...
Contents
Cumulative Character Index | 355 |
Cumulative Topic Index | 367 |
Cumulative Topic Index by Play | 391 |
Copyright | |
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abuse Achilles appears Arcite audience Bassanio becomes Brutus Cambridge catastrophe characters Christian comedy comic Cordelia critics daughter death desire Diomedes disguise dramatic Edgar Edmund effeminacy Elizabethan Emilia English erotic essay Falstaff fantasy father feel Fool friends friendship Gentlemen of Verona Gloucester Gloucester's gods Goneril Greek grotesque body Hamlet Hector Helen Henry heterosexual homosexual homosocial Horatio husband identity John Kent King Lear language Lear's literary London lover male bonds manly marriage masculinity ment Merchant of Venice Merry Wives nature Noble Kinsmen Palamon Pandarus petty treason play's plot political Press prince Proteus Regan relationship Renaissance Rosencrantz same-sex says scene seems sense sexual Shake Shakespeare Shakespeare's play social sources speak speare speare's speech stage storm story suggests thee theme Thersites thou Timon tion tragedy Troilus and Cressida Troilus's Trojan Troy Twelfth Night Valentine wife Wives of Windsor woman women words York